Shady Cove Share Passenger

A few weeks back, I hit upon Portland’s Shady Cove, throwing a little Wilson-Phillips nod their way. But, on their latest single, they get a little more pensive, allowing the craft of the song itself to trickle a bit more. It circles about with this subtle beat in the distance, sinking behind the softened tones of the vocals, with all of it being sprinkled with careful atmospheric strokes from time to time. After the two minute mark, the tune begins to blossom a bit more, elevating their tune into something that takes on a more spiritual nature as the atmosphere and the pace both seem to expand. If you’re into it, the song appears on the Part II LP, which drops on August 30th.

Evening Glass Share Wait Until 3 Video

Everything today just needs to drift and drift, my brain’s on the horizon, and that’s where we find Evening Glass. They’re crafting slowed guitar pop, akin to Galaxie 500, though with the influence of a bit of Americana/modern indie rock. The haphazard strum of the guitar is simply intoxicating, and when the solo comes in, textured with some background fuzz, I swooned; this is the sort of tune that haunts my dreams, allows me to leave my body and just drift off into the world. If you’re with me, and need some escapism guitar pop, then be sure to check out the other tune on this new single; you can find it HERE.

Icarus Phoenix Releases High Tide Single

You all know how much I love the work of Drew Danburry and Icarus Phoenix, and the latest single from his forthcoming LP shines a light on why he should be lifted into the listening habits of the masses. For starters, the softened strumming brings your ear closer, it asks you to don your headphones and really immerse yourself into the listening experience. Unlike a lot of the songs we’ve heard from the new album, this one definitely feels fully formed by one Drew alone; it’s the sort where accompaniment isn’t needed, as the maximized emotion is pulled with the simplest charms. Please please please give Drew’s craft your attention. I Should Have Known the Things You Never Said will be out on August 15th.

Dylan Rockwell Shares False Dawn

It’s a bright sunny day here in Austin, TX and I am enjoying a playlist of some mellow tunes as I ease into the hot morning. As I click through some new tunes, this track called “False Dawn” by the Washington D.C. based songwriter Dylan Rockwell hit me in the feels this morning. It’s such a delicate piece of songwriting with so many moments of sheer beauty packed in to the short 2.5 minutes. Gives off a very Youth Lagoon meets Jesse Merchant type vibe and I am here for all of it. Stay tuned for more.

True Optimist Announce Mental Health

When pressing play, you perhaps will find it difficult to pigeonhole what True Optimist are doing with the title track from their new LP, Mental Health. There all these competing elements within the first ew seconds; there’s a bobbing pulse, contrast against these stabbing guitar notes that merely seem like they’re poking the bear…then there’s the layers of percussive elements like the shaker and woodblock (maybe?), all of this thrown together before you get a little organ line running amok to paste the pieces together. This hodge-podge is both refreshing and bewildering, taking you on a musical safari for which you might not be prepared. They release Mental Health on August 2nd via Self Aware Records.

Ever Lovin Jug Band Ready Move That Thing

Everything old is new again, and so it seems with rock n’ roll, as the last week we’ve covered several tunes hitting on the doo-wop trend of yore; it was Teenage Tom Petties last week, and this week it’s Canada’s Ever-Lovin Jug Band. You can likely find some garage rock influences hanging in there, but there’s this freeing joy that comes in boatloads on this single, whether that’s the vocal work, both overlapping and backing, or those playful handclaps rhythm elements, it’s hard not to get nostalgic and flash back to when rock n’ roll was still young! They’ll be releasing their new Move That Thing LP on July 19th.

Peel Dream Magazine Shares Lie in the Gutter

After several albums for the ATH heralded Slumberland Records, Peel Dream Magazine are moving over to Topshelf Records for their new LP. Today we get this delicious little tune that’s going to be hard not to fawn over. Joseph gives up the vocal duties on this one, and the rolling pulse of the synths/keys definitely is going to have folks pulling out their “sounds like Stereolab” cards. You can certainly hear where the roots of the project have evolved into a more openly pop structure, thus capable of seducing even the hardest to please indie fans; I can certainly see where folks who love Broadcast or Dummy might find this as a nice intersection if they were unfamiliar with the band. There’s a bunch of tour dates too, so hopefully we’ll get to hear a lot from the forthcoming Rose Main Reading Room, out September 4th.

Classic Pop Rock from Ceylon Sailor

Woke up this morning to this fresh tune from New York’s Ceylon Sailor; it immediately reminded me of Nada Surf in the way it bridged pop radio and indie vibes. You’ll hear dangling bits of fuzz on the guitars, rounding out the sound to soften the distortion for listeners, while the vocals drive home a melodic center that you’ll devour, at times even stretching into an emo-adjacent feel. After I keep going back here to find myself in the land of repeat listens, I can’t help but see it as the middle ground between Nada Surf and Jimmy Eat World (when they were great), and I think that’s the best place to start your day!

Sinai Vessel Shares Laughing Single

This summer’s all about sharing time with friends, relaxing in lawn chairs with great tunes pumping from the stereo, and your playlist should include this new track from Asheville’s Sinai Vessel. When listening through this single, you’ll be drawn to Caleb Cordes voice, like a firefly to the light, pulling you in with its intimacy; I think of John K. Samson or Davey von Bohlen, particularly when the high notes are hit. The song snakes its way around Cordes, with accompaniment lifting the tune’s spirit, though careful to not overshadow his voice; that guitar sliding in the distance is the perfect moment to rock back in your chair and gaze into the Summer night. The band release their new record, I Sing, on July 26th via Keeled Scales, followed by a huge US tour in August/September.

Being Dead Announce Eels

When Horses Would Run hasn’t even been out one year, yet Being Dead is ready to return with a brand new batch of tunes to bang out across America. Having watched the band for years (and maybe putting out a 7″), the first 45 seconds or so completely encapsulates why they’re so endearing; they pummel your ears with these huge riffs, yet while you rock, you’re completely caught off-guard by their ability to seamlessly blend in hook after hook after hook…just listen to the directional change at 52 second mark. They continue with their non-linear songwriting, moving in a more melodic folk group direction around the 1:02 mark, before soaring through those distorted metal riffs as cymbals shatter in the distance. It all melds into this slow draw that closes, giving the listener a moment to absorb and reflect. But, if you’re catching them live, as you’ll be able to this Fall, they won’t give you that rest, as they’ll be bounding off into another song before you can catch your breath. Look for Eels via Bayonet on September 27th.

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