Pronto

prontoPronto is a Melbourne based band who just dropped a new album this month full of powerful punk tunes laden with some pop tendencies.  To get a taste of the band’s music, check out this sweet new single called “Red Flag”.  As soon as you hit play, you’ll know what’s in store for you hear so I will save my words.  Kick ass.

New album, When You’re Gone, is out now on Off the Hip Records.

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Power Pop from Sugar Stems

sugarIf you’re a music fan like me, then perhaps nothing works you up quite like huge hooks and soaring melodies.  If that’s the case, then you’re going to love this new single from Sugar Stems.  It’s our first listen to the band’s new album, Only Come Out at Night, and I’ll be damned if this isn’t the perfectly executed anthemic power-pop that warms my heart.  Betsy’s vocals have a slight hint of attitude, but the rest of the group is just kicking out these huge sounds; it’s the most polished bit of power-pop I’ve heard in some time.  You can grab their new record from reliable Dirtnap Records on July 22nd.

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Power Pop Fun with Wyatt Blair

wyattblairOne of the great things about hitting up a show is discovering an act you knew little about, which happened to me recently when I stumbled into the power-pop delight that is Wyatt Blair while hanging at Hotel Vegas. The band’s set was lively and quick, giving the audience enough time to sink our teeth’s into the tunes, yet wanting more.  So I got more when I picked up the new album, Banana Cream Dream, and I’ve been rocking it ever since.  The record’s filled with tunes that combine ballsy garage rock with sugary pop, which just happens to be my favorite kind. Give it a listen!

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Sweet Pop from Sugar Stems

sugarstemsThis is the case where the name has to say it all.  You want sweet? Then you better get behind the Sugar Stems. On the group’s new record they combine all the classic elements of power-pop, though with a steady punk edge.  Top it off with some sweet female vocal harmonies and you’ve got precisely what you need to leave listeners with a breathless hit.  The band will release their new record, Can’t Wait, today via the always reliable Dirtnap Records, so you’ll be able to bob your head up and down all day if you just hit up your local record store.

[audio:https://austintownhall.com/wp-content/uploads/2013/04/10-6-Feet-Under.mp3]

Download: Sugar Stems – 6 Feet Under [MP3]

Warm Soda – Someone For You

tumblr_mii422dWF51qeazcjo1_1361334027_coverRating: ★★★★½

Out of the ashes of Bare Wires comes Warm Soda, but this time around things are going to be glistening with pure pop.  It’s not like this wasn’t lurking around the corner, but with Someone For You the band has created something that will inevitable find itself stuck in your head, and heart.

Let’s get the bad thing about this record out of the way, if you can even really find a fault here.  Okay, it does sound a little bit the same through and through, but I’m not biting that that’s entirely awful.  After all, when you find so many songs filled with hooks and anthemic choruses you’re going to be happy they didn’t try to diversify their sound too much, choosing to rock it the way they do best.

“Violent Blue” kicks off the album with one of the heavier tracks present on Someone For You, using a quick pace and steady drumming to propel the track.  But, the chorus of “violent blue” hints at the more pop-centric leanings of the group, preparing you for a fun filled ride of hits.  Basically, that starts as soon as you hit tune #2, “Someone For You.”  While the cymbal work and drumming hint at a more garage filled sound, the soft quality of the vocals working against the chiming guitars definitely makes you feel good.  I especially like the way vocals blow you away with the drawn out “you” at the 1:47 minute mark. It’s just a teaser though, making way for the crunchy goodness of “Jeanie Loves Pop.”  If you need a standout track to pass along to your friends in mixtape format, then you have to include this song.  There’s a rawness to the guitar playing, yet the chorus is as anthemic as you can get, begging you to shout it out at the top of your lungs.

I think one of the best attributes of Warm Soda is the ability for the drums/guitars to work against the brighter quality of the vocals.  For the most part, the drums are pretty steady and pushed up in the mix, like in “Waiting For Your Call.”  Here, the guitars and the cymbal work build this incredible tension that you expect the band to unleash, but the twist of the knife comes via the melodic chorus relief.  Is the track heavy? Is it a pop tune? Neither, it’s just a rad tune. The same can be said for “Busy Lizzy” with its knife’s-edge guitar work and quick blasting drum work, all centered around a cool vocal that’s slightly coated.  Just wait for the boys to bang out the ending with pure pop class.

Honestly, I know a lot of people that think the Exploding Hearts sound could never be done again.  It came at the perfect time in indie rock, but now is the time for Warm Soda.  They combine elements of garage rock and power-pop to perfection; there’s not a band out there doing things as well as these lads.  Someone For You is filled with hit after hit, and you can’t ignore a single song for fear of missing greatness.  The best thing you can do? Buy this LP right now!

[audio:https://austintownhall.com/wp-content/uploads/2013/02/06-Waiting-For-Your-Call.mp3]

Download: Warm Soda – Waiting For Your Call [MP3]

 

Low Culture – Screens

Rating: ★★★☆☆

If there’s one thing I’ve been able to count on for some time, it’s been the delivery of solid punk rock records from Dirtnap Records.  They’re at it again in 2013 with their first release, Screens by Low Culture.  Hailing from New Mexico, the band pumps out a grittier version of your modern power-pop, using furious pacing and jagged guitar chords to add an extra dose of energy.

“Screens” kicks off the entire affair, almost blasting off immediately with a punk rock anthem that blurs the lines between traditional punk rock and modern garage-pop.  A quickened beat, encouraged by the pounding rhythm of the drums, makes this one of the albums stand-out tracks.  Seamlessly, Screens moves along into “I Feel Your Ghost.”  It’s here that you first begin to notice a little bit more of a guttural influence on the vocals; this is one of the minor effects that carries the group away from the majority of their peers, at least in sonic comparisons.

While a great deal of Low Cultures latest effort has a tendency to stand in the territory of their punk/power-pop fusion, there are a few songs lurking here and there that allow listeners to absorb something a touch different. For me, you can tell by the opening guitar line of “Touchy Feely” that you’re in for something that varies from the group’s standard fare.  It jumps into a forceful vocal delivery, almost barked in your ear, though they do create a bit more classic alternative melody that enters towards the latter half of the song.  A few songs later you find yourself at “Nightmare,” providing that pummeling sound that one can only assume entices those in a live setting to circle about.  While I appreciate the variation in songwriting, these two examples are also probably the hardest for my ears to connect with during an average listening experience.

My favorite piece of Screens has to be “Trying to Quit.”  It’s sort of a sloppy garage ditty, which has me bobbing my head and tapping my toes as I write these very words.  It also features a softer vocal, though you can still hear a hint of strain; its presence makes the song immediately accessible and memorable, regardless of your personal tastes.  The group comes close to repeating this feat on the following track, “California,” although it takes a second or two longer to fully grasp the apparent pop sensibility in the songwriting.  Like the opening two tracks, this is a good 1-2 punch.

For my two cents, I’ve had a blast listening to Screens, blaring it on the home stereo time and time again.  Sure, there are some weaker spots, but even those I don’t mind playing all the way through.  While Low Culture waivers slightly in monotony, the record’s brevity allows them to avoid such traps, leaving music fans with an album you’ll spin on the table repetitively.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/01-Screens.mp3]

Download:Low Culture – Screens [MP3]

New Power Pop from Games

For those of you clamoring to the era of late 70s rock n’ roll where glam met pop met punk, you’re going to love listening to Games.  I came across the band a bit back while catching up with the work of Hozac Records, but the rocking blog, Raven Sings the Blues, just tossed up this gem a few weeks ago so I’m forced to share.  On this track, the group has a softer edge, giving them a hint of refinement, as opposed to some of the other/faster groups that kick out the jams.  You can grab the self-titled debut from Games right now over at Hozac!

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New Power Pop Jam from The White Wires

Ever since the new album from The White Wires arrived in my mailbox the other day, I’ve been jamming it as loud as I can around the house.  The Canadian group has signed on with the good folks over at Dirtnap Records to release their album WWIII, which will be in stores on July 31st.  It’s exactly what you want in a power-pop record, and this song epitomizes the feel of the release, with bouncing garage rhythms and just the faintest hint of melody in the vocals.  If this doesn’t lift your spirits a little bit, then I don’t know what will.

[audio:https://austintownhall.com/wp-content/uploads/2012/06/01-All-Night-Long.mp3]

Download:The White Wires – All Night Long [MP3]

Super Rad Jam from Royal Headache

I’ve known this number was coming down the pipeline for a bit, and I just couldn’t wait much longer to share it with you!  Royal Headache is an Australian quartet destined to break out with their blend of joyous garage-soul fusion.  Royal Headache is fortunate to have their self-titled album picked up for US release by the always excellent folks over at What’s Your Rupture; they’ll have it ready for you on May 8th.  There’s this infectious energy in album track “Girls,” be it the steady pop streaming guitars or the playful crooning of Shogun on vocals.  We’ll all be fortunate to witness their invasion in June, after they stop by Austin to play several  Chaos in Tejas dates.  Get ready to fall in love with rock n’ soul.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/RoyalHeadache_Girls.mp3]

Download: Royal Headache – Girls

Brand New Power Pop from Gentleman Jesse

For the last couple of years I’ve loved the purveyor of pure power-pop, Gentleman Jesse and his group of merry men from Atlanta.  He’s been working hard at his new record, Leaving Atlanta, which comes out on March 13th via Douchemaster Records.  One of the best things about the group, and this track below, is that the band just gives you straight up rock n’ roll.  There’s no frills, there’s no gags, it’s just an honest-to-god rock song. Still, that’s not always good enough for a lot of people, but those people are wrong, as this song’s got me pumping my fists in the air, tapping my feet on the ground, and ready for the rest of the release. Well played gentlemen.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/eatmealive.mp3]

Download:Gentleman Jesse – Eat Me Alive [MP3]

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