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We’d like to dedicate this comic to all of our loyal Reggie and the Full Effect fans out there. You know who you are…
This is fine.
We’d like to dedicate this comic to all of our loyal Reggie and the Full Effect fans out there. You know who you are…
Matt Pryor has evolved quite a bit to get to where he is now. Would you have believed me 10 years ago if I told you he’d be playing shows armed only with an acoustic guitar? Most of the vagrant punk followers would accuse you of mistaken identity and slap you around a bit. Believe it or not you old Get Up Kids die hards, that’s what Matt Pryor is all about nowadays. He went to being a pioneer in the pop-punk world to now being an extremely solid singer song writer who still inspires the young and old.
Show review and pictures after the jump
I bought this record at the store the other day because for some reason I sincerely hold fond memories of this band. The first few records were great, and then the band slowly lost its appeal. Congratulations Nathan! You’re an adult.
Listening to this record all day today, and last night, it was hard to remember exactly what it was about this band that I really enjoyed. I went back to the old records from my younger days–when I was 20. There was the answer–the remnants of pop-punk and emo. Don’t smirk! You liked this stuff too!
Anyways, in the beginning, James Dewees–keyboardist for now defunct The Get Up Kids–he blended comedy along with really solid melodies. He tossed me a few solid keyboard solos, and even through samples of hilarious clips into the album. They were seamless, and honestly, I thought they were special–still hold a spot in my heart.
Of course, there was some remnants of hardcore on the old albums, clearly remaining from Dewees days in Coalesce. It was just a small enough dose to go well with the feel of the record. Now, that is all that remains.
There are few moments on this record that are redeemable. The incessant screaming is so 99′ and I just don’t have the patience for it. And, the lyrics I could decipher were simple, though I never considered Dewees to be much of a songwriter.
For me, this was his last gasp–his “last stop” if you will. For me, this was my last stop. This album reminded me of where I have been, and who I have become–frankly, I’m an adult. This record brought that to a head. Thanks Reggie, for that you get half a star.
Former Get Up Kids keyboardist and Coalesce James Dewees is set to release his 5th album as Reggie and the Full Effect. Sure, James doesn’t take himself seriously, which is how he comes to mesh the hardcore with that pop goodness–but who said we always had to be so serious? At the very least, you can tell your little brother or sister to listen to this instead of that boring radio! Take a listen to his newest song at this beautiful web site.