She Keeps Bees – Eight Houses
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Ever since 2006, She Keeps Bees, hailing from Brooklyn, have been creating under-the- radar blues-inspired rock music. They have three records already under their belt, but chances are Eight Houses is the first you’ve heard of the group, as they’ve somehow evaded popularity. Consisting of Jessica Larrabee on vocals and guitar and Andy LaPlant on drums, the duo has generated a fourth, slow burning and soul itching album in Eight Houses.
To say that Eight Houses is a light record may be one of the biggest possible understatements that you could make—their sound here simply aches with the blues at every twist and turn. “Feather Lighter” begins this trip down the soulful winding road by showing the more mellow face of this group. The start out here with a slowly haunting number—the track really only consists of Larrabee’s retro-vocals, guitar, drums, and a hint of piano. Instead, the group lets the vocals and lyrics dominate the song, which serves to warm you up a little bit before they bust out the rock next on “Breezy.” Whereas the opening number had the band reserved in their little world, the second song sees a fire lit underneath them, which you can hear clearly in the vocals and the new presence of growling electric guitar. This song introduces you into the burning element that She Keeps Bees encapsulates so perfectly; especially the last break down, or rather build up, that they end the number with. Larrabee’s voice is pushed to its max as the guitar gets gritty and intensifies.
However, while the album is quite heavy, at no point does it feel overly weighty or grueling to listen to. A large part of this seems to come from the tempering of this heaviness with the simplicity of some tracks that don’t try to overcomplicate the tunes, similar to the style of bands like Wye Oak. This is especially apparent on the last track of the album “Is What It Is,” which features Sharon Van Etten on backing vocals. The song begins with just vocals and drums, laying it out to you earnestly and letting you come to it on your own. Though this is the way the song starts, when Larrabee strikes out with the line “Do not surrender,” her voice quivering with force, you can feel the tugging of this emotionally charged music pulling you in. It’s a gorgeous and simple end to the album.
Though it was somehow possible that you had yet to encounter She Keeps Bees, I do not see this being a probable phenomenon after this album starts to makes its way around the indie-sphere. This comes with good reason; don’t be the last to get on board with Eight Houses and its epic simplicity.
