I can’t tell you how excited I am for people to spend the rest of the year fawning over this wonderful Whispertown record. She just dropped another single, which has me staring longingly out my window, wondering what’s to come. Her quick vocal delivery on this tune is a marvel, only punctuated by heavenly backing vocals. Morgan Nagler has this power that draws you completely into the song, and you’ll find that I’m a Man is filled with such rare quality…so much so that you might not listen to anything else; look for it on September 1st via Graveface Records.
I’m always locked in on what’s happening in the Australia neck of the woods, and Wireheads have popped up previously, though their next LP is promised to be their best work to date (it was recorded by Calvin Johnson). There’s something about the way the guitar is strummed in the front of the mix, while a echo-y drum pounds in rhythm to moving piano lines. If you’re listening closely, you can definitely hear the lineage of Aussie poetic delivery…makes me fawn nostalgically. They’ll be releasing Lightning Ears on October 20th via Tenth Court…but sample this gem in anticipation of another great Oceanic pop release.
Prolific songwriter Tim Chaplin has just dropped his latest release, Days Either Side. He seems to be really pushing himself on the entirety of this, aside from “Some Kinda Saint” (thats still a remarkable gem). He utilizes loops, spoken word and sort of a constructionist approach to piecing his songs together; it provides for a diverse listen that never goes stale. It’s good to hear him working in all his various influences, yet remaining wholly himself. I suggest you give his new album a listen below.
Seems like synthpop acts are a dime a dozen these days, and that’s all well-and-good, but you’ve got to do something to craft substance in the genre, such as Cobra Man. The duo have created a soundtrack for The Worble Collective (and skate videos), and I beg you to just let yourself go. Pulsing grooves and a Devo-esque vocal delivery are sure to have you tapping your toes as we speak, and it only gets better when Sarah Rayne’s voice joins in to pack an extra punch during the chorus. Goner Records will release the New Driveway Soundtrack on September 8th.
Joseph Childress will be releasing his brand new album in October, and perhaps no other song exemplifies my infatuation with him quite like his latest. Gentle strumming and the powerful voice of Childress are the most prominent elements through the first two elements. But, you can hear bending guitar lines and an almost tribal beat stomping towards the song’s end. There;s something magical about a musician capable of entertaining merely on the power of voice alone, which is why I am really looking forward to his self-titled release come the Fall; it will be released by Empty Cellar Records.
We’ve posted about Mons Vi a few times before, and when the band reached out with their latest bit of pop, I had to oblige and get it up. For one, the song’s great in its concept; it’s a conversation between two lovers, one speaking Spanish and the other English. Just imagine you’re enjoying a sit-down at your favorite chillaxing spot, with a more multi-cultural version of the Postal Service bouncing through the speakers. Playful and captivating all at once, so why not share that feeling with you all.
Sometimes bands accomplish the impossible; they sound familiar, yet you can’t pigeonhole their sound. Such is the latest from Flotation Toy Warning, seemingly drawing parallels from the likes of Flaming Lips or Destroyer, yet with just a hint of Antony’s warble. It’s complex in so many ways, almost as if instruments are shifting tempo simultaneously. Your head will spin in ecstasy as you try to place exactly what you’re hearing, and in that, you’ll find yourself drifting off into the day. On October 13th you’ll be able to get your hand on this encouraging masterpiece, The Machine That Made Us, via Talitres.
I continue to be impressed by the shifting sonics of Wand; I thought I had them pegged, but clearly not at all. This new video has some heavy handed indie rock riffs, but the way Cory’s voice is recorded in between those riffs gives off a slight Thom Yorke vibe…and then there’s that restless dream bit that floats in just after the 2 minute mark, punctuated by the ethereal notes seeping through your speakers. It closes with a bit of an emphatic jam (and clown dance), leaving me to remark that the song goes all over the place, only to stay stationery. At this point, its safe to assume that Plum is going to be a real joy to listen to, though exactly what we can expect, only the folks at Drag City (and the band) know…look for it on September 22nd.
If you’re spending your day looking for infectious pop music that you won’t be able to turn away from, then look no further than this great TV Sets track. This tune has the exuberance of acts like the Drums, yet you’ll find a soft underbelly of dreamy pop featured too; it’s a textural touch that’s not often employed, but the execution is spot on here. I always appreciate finding uplifting music with hints of contemplation. It’s okay to get carried away with joy while listening to this track, and we expect much more when the band drop their Elsewhere EP this Friday.
It doesn’t take much more than being signed to Lame-O Records for me to be attached to a band. But, in the case of Cherry and their latest song, they’ve already got me hooked. The video is gritty, moving across various mundane activities (though I’m attached to the backyard soccer scene) and splicing it with members of the band. Also, it has dogs. People love dogs. In the track itself you hear earnest guitar pop, with guitar lines reaching up to the angular heavens as the drums crash down and vocals drawl across the front of the mix. It’s sonically focused, yet relaxed in the delivery…all showing promise of the band’s forthcoming record, Dumbness, out on September 29th.