Delivery – Deadlines Video

One of the acts braving long flights to come into SXSW this Spring is Delivery, and I’ve been pretty stoked with the work they’ve been cranking out lately. Today, they’ve got another single from their Force Majeure LP, and as we’ve come to expect, they take a note from their Oceanic peers, but then ramp it up with a bit pace and attitude; it’s more of a straight-ahead rocker, but it doesn’t miss a single step in terms of its natural charms. This new single arrives just in time for you to fall in love with their pattern of switching up vocalists, then you can grab the new LP tomorrow when it drops via Heavenly.

Dusty Lucite Release Video for The Reddest Flag

You’re bound to missing something out here in the music realms, which is why I’m bummed I spaced out on the steady swagger of Portland’s Dusty Lucite. Musically, the song’s pretty light, working with a simple guitar that kind of hangs back like a little cold winter air blowing across the frozen grounds. But, it’s the vocals that catch me; they’re restrained to a degree, but you can feel their boldness, akin to Quinnisa from Big Blood. There’s such power, and even if you think she’s being held back, your still smacked with those huge musical pipes. Check out the recent Normal Harder LP if you’re into it!

Dropkick Share Snowflakes Single

When I pressed play on the new single from Dropkick, I instantly though there were going to be huge bursts coursing through here; the guitars have a bit of bite to them. Of course, as soon as the vocals come in, the tune twists into it’s typical whispering charms, reveling in the cooled vocals that serve as the gravitational force that pushes the band forward. Even with that velvety core, this song’s production just makes things feel infinitely huge, much like you found in early TFC tracks, which is a valid comparison to make here. Really excited to get to the whole of Primary Colours; it drops via Bobo Integral on February 2nd.

The Tubs Drop Narcissist Single

When the swing of the guitars twisted into a nice little noodle, the latest track from The Tubs immediately had my attention. All of that just clears the path for Owen Williams distinctive croon; it’s got a heavy weight to it, though he’s clearly swinging for the pop notes…they even get a nice added texture from a female vocalist too. While my ears can hear the jangle, the mix on the group’s work always seems to kind of disguise that, sort of like the great works of the Go-Betweens. You get the feeling that Cotton Crown is going to be something special; it drops via Trouble in Mind Records on March 7th. They’ve also got an Austin show, as well as a bunch of US tour dates in the Spring with the Wedding Present!

Ceylon Sailor Release All Promises Will Break Eventually

When I first put on this Ceylon Sailor track, it was definitely the heavy strum of the guitar that caught my ear, but the track soon revealed more that awaited my listening excursion. I was greeted by a bold blast of horns and a push in the range of the vocals, all of it still working with that thunderous strum as the backbone. Each little rise and fall turned into an added gift that my ears happily consumed, turning over and over as each melodic note rises and falls right into my arms. Excited to run through this track a couple hundred times today.

Charm School Slow Jam On Without a Doubt

Imagine if Interpol weren’t so pretentious, choosing to revel in the pop side of their craft rather than push for some overly-emotive brand of post-punk. If you’ve got that sound in your mind, you’ve got the feel of the newest Charm School single, dwelling in the ethereal slowness the genre offers. At times, it seems like a bold croon, allowing the vocals to creep around behind the guitars, and in doing so, you get to kind of spin yourself about, twirling about with the crisp ring before it erupts into cacophony. Steadied and bold, this track hits the right spots; look for Debt Forever on January 24th via Surprise Mind.

Horsegirl’s Switch Over Video

If there’s going to be a consensus album of the year contender this early on in 2025, it’s gotta be the forthcoming LP from Horsegirl, right? I mean, every single has been consistently brilliant, and this new one just settles in right alongside that, kind of building up this sort of post-Electrelane brilliance; if you listen to the harmonizing amongst the trio, you’ll be transported back to the genius of No Shouts No Calls. Still, this sounds fresh, and even my nostalgic looking-glasses can’t shade the fact that this might be one of the best acts around. It takes absolute magic to build songs this infectious and simultaneously challenging, and I can’t stop playing this one. Phonetics On and On will be out February 14th via Matador.

Marble Raft Release Marble Halls

We return you to our regularly scheduled coverage of Swedish indiepop on Mondays, greeting you with the newest pop number from Marble Raft. This tune’s a rolling number, so to speak, kind of rolling over the pop hills, hitting high notes, then rolling down into more expansive synthpop. The interchanging vocal work, while melodious, almost adds another texture, crafting these sonic nuances that hang in the air as the next vocalist takes their spot. Me? I love the lower note work, drawing on. my love for the darker side of pop bops. This track appears on Dear Infrastructure, which will drop in February.

Club 8 Return with ooo

I’m not entirely sure if this is their new strategy or if Club 8 are just chock full of fun ideas that they can’t help themselves, but I do know that they’re continuing with last year’s approach of a new hit every month. If the rhythmic pulse on this tune doesn’t do the trick, you can immerse yourself in the dancing guitar line that hangs about too, with both doing a great job hooking the listener. While I love the softness of the verse, there’s a switch in the vocals at the last bit of the tune that really cemented this jam for my ears. Time will tell what this year holds for the Swedes, but another tune never hurts!

Publicity Department Share Two Little Birds

We’ve been looking forward to the new record from Publicity Department ever since word came our way that they’d be Old Master in the new year. There’s a new single available out in the ether today, and it carries the same magic we got from the early single “Sheltered Life.” Sean Brook’s voice has this intimate tone to it, making his craft feel both personal, yet larger than life; you can feel the rise and fall of the song through each emphatic vocal push. It’s all spun tightly around a carefully built pop number, with some keys providing a backbone before the guitars wiggle their way in for their exploratory jam, cresting at the chorus. If you don’t love that chorus, please see a doctor immediately, as something’s wrong with you. Old Master is out on February 7th via Safe Suburban Home.

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