Husbands Drop New Single, Wishbone

I’ve written about Husbands previously, a band hailing from my old stomping grounds of OKC, and with that, we’re here to offer you one final single before the band drop their new album. This tune’s all about the psychedelic underbelly, pushing this sort of buzzed electronica beneath this catchy pop brand. There’s definitely something seductive, particularly in the way the vocals are layered against one another, giving the voices their own sort of instrument to propel the song forward. That dark throb and pulse continues that push and pull feel, mimicking the way the vocals play against each other, letting the song sort of ebb and flow through your ears, twisting and turning as it enters the ear canal on its own terms. If you dig, the band drop their debut LP on January 18th…with a slew of shows you can catch up on HERE.

Screen Prints Drop Look Forward EP

As we step into the year, I’m just a little trepidatious, so wherever I go, things are a little reserved, a little slowed down and smoothed, which is why this Screen Prints EP hits all the right notes. You can hear little elements of quieted bedroom pop, the sort that makes you feel like it was meant for only your ears; I can also hear some similarities to our friends in Letting Up Despite Great Faults. If you’re into that sort of middle ground where Stereolab and proto-prog kind of melt into glorious pop that feels like a sugary seance, then might I suggest trying on the second track from the Look Forward EP, “Forecourt.” These are two absolute gems I feel like would fly by if I didn’t point them out, so I’m here to do just that!

Don’t Get Lemon Announce Hyper Hollow Heaven

I know we’re all downtrodden, at least if I’m to believe everyone’s personal feeds, so thumping beats with masterful hooks are just what the doctor ordered going into 2022 full speed, and thus, I give you Don’t Get Lemon. The Austin three-piece are crafting this danceable brand of pop that’s built on layered textures that build and build throughout their new single. You can easily hear the pulsing beat here, rushing the song through your speakers; little electronic flourishes also make their way out, but it’s the atmospheric wash mixed with the heavy vocals that has me intoxicated. If you can hear the promise in this tune, then perhaps we can convince you that your money will be well spent by grabbing Hyper Hollow Heaven this coming March!

Nah Offer The Useless Model

I’ve long enjoyed the bouncing pop bravado from Estalla Rosa and Sebastian Voss, aka Nah, so we wanted to be sure we gave their newest single a shout out as we got our feet back under us. Jangling from the get-go, it’s hard not to fall for the stuttering pop, particularly when Rosa’s vocals come in with this feeling like collapsing into a bed of down feathers; it’s the perfect foil for Voss, who has a hint of David Gedge going on in this rendition, particularly when he takes the lead. I love how all the vocals seem to work against the rushed jangles, creating this drastic spin for the listener that certainly will have you reaching to press play one more time!

Love, Burns Announces It Should Have Been Tomorrow

It seems only fitting that we begin covering music in the new year by covering our first release of 2022; It Should Have Been Tomorrow by Love, Burns. The band is the solo project of Phil Sutton, who plays in Pale Lights (among other acts like Cinema Red and Blue and Comet Gain!), but the album features help from Kyle Forester, Hampus Ohland-Frolund, and Gary Olson…so it’s kind of a big deal! We’re releasing it in conjunction with Kleine Untergrund Schallplatten, Calico Cat Records and Jigsaw…all great labels run by admirable persons, so we’re fortunate to be part of this release (we’ll be handling the cassette version)! But, we can’t really convince you to pick it up without a little taste now can we? Here’s a few tunes from the album, which will be out on February 4th; buy it from us HERE.

Plus, Phil recently recorded a wonderful cover of the Wake’s “Crush the Flowers” with Suzanne Nienaber for Soleado, a Tribute to Siesta Records, organized by Fadeawayradiate. You can hear that below:

Phil photo courtesy of Dominick Mastrangelo Photography.

Sad Eyed Beatniks Share The Snows of Success

While we’ve mostly shut down, we’d be doing you a disservice if we didn’t immediately share the latest track from K. Linn’s Sad Eyed Beatniks project. I love how the song moves from this home-recording vibe, crackling through your speakers to the split switch to a cleaner production; it immediately builds in the track’s melodic movement, without losing that intimate sentiment. The heaviness of the strum throughout matches up with Linn’s voice, softly toying with imbalance, though each element hits just the right spot, consistently elevating the charm. Super in love with what’s at play here; Claudia’s Ethereal Weaver will be out on January 28th via Meritorio Records.

Yot Club Drop Deer Island

We’re about to ride off into the holidays with a two week break on our part, so while I love writing about jams, a little respite is always nice. That’s why I love listening to this Yot Club tune; it has this naturally bouncing guitar line; it just makes you feel like there’s a whole lot of promise on the horizon. That sharp nature is a little bit in contrast to the way the vocals have this sort of sedate longing, which only furthers the concept of looking beyond what today holds. This track features on the Santolina EP, which is scheduled to drop on January 14th.

T.G. Shand Shares New Single, Seats

T.G. Shand is the new project from ex-Miniatures member Annemarie Duff, who is now spending time living in Christchurch. There’s a new album in the works for early ’22, so now seems like the perfectly fitting time to sprinkle in a little tease. What first caught my ear was the sort of trip-hop underbelly of the beat work on this tune; it was the perfect place to set up some contrast with the song’s dreamier nature. In all honesty, it feels like the sort of tune you’d hear on tour listening to a band like Dummy, so its nice to see other acts incorporating various sounds on a genre that needs a little refresh (if you ask me). Close ears will ear washes of guitar and that sort of acid house groove working its way to the surface, and if you ask me, we’re all the better this song’s out there. We’ll keep you posted on more as it comes our way.

Letting Up Despite Great Faults Share Corners Pressed Video

In other news of things I’ve skipped the last few weeks, this new video from Letting Up Despite Great Faults; I did cover the original single though! So, here we are with the band jamming out in their practice space, each person getting a little solo time to walk about while the band jams around them. I love that you get a little bit of the live Kent vibe, as he’s one of my favorite bass players to watch. The band will be dropping their new album, IV, in early March, with a tour to follow out West with other ATH faves Blushing. You can pre-order the LP HERE.

New Stuff from Tigercats

Tigercats haven’t had a proper release in several years, but as we’re finding out, they’ve had a new EP laying in wait for us, and we’re finally getting to hear some of those sweet new tunes. On this New Works EP, they take their jangling indie rock sound, which we love, and begin to incorporate a lot of their live sound, including horns and various other textural elements; this takes the band’s sound and see them pushing the boundaries and expectations of what it means to be a pop band out there in this world. I’m always excited when a band I adore takes steps to really break out and create their own sound, so count me in! New Works will be out on January 14th via Fika Recordings.

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