Tag: title track

Dropkick Share Title Track from Primary Colours

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There’s never a bad time to digest a new tune from Dropkick, as the group have been consistently carrying the flag of jangling indiepop for years (as we’ve noted!). Their new LP is on the horizon, and today we get to hear the title track, “Primary Colours,” which offers up that circuitous guitar ring, reminiscent of some of the ways we got into early Teenage Fanclub records. One thing that Dropkick excel at, however, is making it their own, owing to their beautiful tug on the melodies in the vocal; they’re so comforting and crisp that inevitably you find yourself wrapped up in their earworms. Primary Colours is out February 7th via Bobo Integral.

The Smashing Times Share Title Track from Mrs Ladyships and the Cleanerhouse Boys

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Despite the lengthy title on the forthcoming LP, the Smashing Times definitely know how to write a tune for those wayward pop fanatics. They’ve got the title track from Mrs. Ladyshops and the Cleanerhouse Boys, and while I think I’ve previously pegged them as the second-coming of Television Personalities, this new jam feels wholly like it was meant to be in the Comet Gain catalogue. There are some special little backing moments on this, like the simple “la la la” that just make your cup overflow with joy, all the while still locked into a bit of rock n’ roll swagger and shake. K Records will drop the record on November 1st, so get your ears ready!

WUT Share Title Track from Mingling with the Thorns

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It’s been a great week for the Pacific Northwest indiepop scene, with the Softies announcing their return. But, you can look to another great pop act, WUT, if you’re willing to double-down on candy earworms; I mean, there’s some pop cross-pollination if you’re reading your line notes. Alas, the song itself definitely wears the style of the PNW (in my mind anyways); it almost feels like the spirit of Calvin Johnson just bled into the songwriting process for this one, long ago during some Indian Summer. While the rhythmic rumbled works its cathartic magic, the sharpness of the vocals during the verses shines like the sun through the windows, illuminating your listening room…the chorus group vocal and bobbing bass is perfect. Look for Mingling with the Thorns to drop on August 18th via HHBTM.

True Green Shares Fresh Single

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Take a second and turn on this True Green single. If you spend about 1 minute, you’ll quickly realize that this could be an act that explodes into the world of hitmakers, if it could only land on the pages of GQ. There’s this natural hipness to the vocals; they bounce casually, like a sunny day bounce on the trampoline. All around, the guitars squiggle and wiggle, not too far off of what the tweens adore about Mac DeMarco. Ultimately, you’ll walk away with a grin, as if you got to hear demo tapes that Malkmus recorded at home in his bedroom; it’s carefully fun, with the right amount of cool. My Lost Decade is out February 1st via Spacecase Records.

The BVs Share Taking Pictures of Taking Pictures

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What I’ve always adored about the BVs is their adherence to building albums where each tune feels purposeful; there’s intent in the style and the placement of tracks. It seems like we’re nearing another bit of that with their latest LP, if we’re to compare and contrast this new single with their first. “Clipping” came out at the end of last year, arriving as this bounding piece of energetic pop. But, today, they share the title track of their new album, and it’s a much more pensive piece, building slowly, churning and turning in upon itself a reflection of the imagery that flashes through the video (created and animated by the band’s Fred). Pictures flash and fade away, with drawings moving like op-art, where you’re unsure whether its the song or the image moving…or both. Then, seemingly out of nowhere, the 2:40 moment hits and the exuberant nature of the band begins to shine through; lyrics are delivered more quickly and the drums seem to have a bit more snap, shifting the tune ever so slightly, naturally creating this feeling of longing that I hope you’ll love. Taking Pictures of Taking Pictures will be out on February 16th via Shelflife/KUS!

Happy Like This Video from the Wind-Ups

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A little over a month ago, the Wind-Ups dropped their latest LP, Happy Like This…and today we get a video version of the album’s title track. For all intents and purposes, it’s a skate promo, which matches up with the song’s lyrical content…”I’m happy like this.” Musically, you could file it under a mixture between various genres of punk; it’s a little bit gritty in spots, but also manages to sound huge and anthemic like you’d expect from a Spits record. Just goes to show that a little bit of proper noise can go a long way. If you’re interested in hearing more, might we suggest picking up Happy Like This from Mt. St. Mtn.

Sturt Avenue Share Title Track from Bury Me in the Garden

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So, while us here in the States were turkey-ing up, the rest of the world carried on as one should, just like Sturt Avenue, who released Bury Me in the Garden. We’ve covered the band’s work before, noticing their brand of orchestral chamber pop and how it naturally has that swelling feel-good nature to it. The title track from the record has an incredible vocal performance, again, from Bryn Soden; I love how we can feather a note, but then turn around and pull another tone from deep in the gut…and all the while there’s a perfect bit of accentuating backing harmonies to boost. Feel like this is the warmest welcome to a fresh week of music!

Kedr Livanskiy Drops K-Notes; Shares Title Track Video

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Hoping you realized that last night, or this morning, however you see it, Kedr Livanskiy released the brand new K-Notes EP; it’s accompanied by a self-directed video for the EP’s title track. Entrancing ambient vocals open the tune, inviting you to indulge just before the beats drop into play; it was those exact beats that really caught on for me, twisting and turning like some distant relative of traditional drum and bass work. At the 1:25 mark, the traditional vocals come in, albeit in Kedr’s preferred Russian, so for most anglophiles it’ll add another layer of otherworldliness to the tune. Looking forward to escaping the day a bit while listening to K-Notes; it’s out today via 2MR.

Dreams on Tape Drop Tomorrow’s Unknown EP

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I have been really enjoying the craft of Dreams on Tape over the last year or so, with singles slowly trickling out across the Internet. Today, Jake Benfant’s recording project drop their latest, Tomorrow’s Unknown EP, with the title track running below. When I first heard it, I really loved the wash over the vocals; the coating has this thickness that reminds me of Blank Dogs, yet doesn’t lose any of the melodic cornerstones. Musically, you can certainly hear the drenched electronics circling back and looking at the pop of the 80s, mixing the darkness with little blips of pop; it kind of reminds me of some of those bangers on the last Strokes record. Give it a listen.

Whitney’s Playland Share Sunset Sea Breeze

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What? Another day and another track from Meritorio Records? And from San Francisco no less? Whitney’s Playland should be high on everyone’s anticipatory lists, particularly if you’re giving time to this new single. It incorporates some of the fogginess that is omnipresent in that scene at the moment, but there’s this melodic 90s nature to it too. I feel like it’s a San Francisco version of the Breeders, and to be honest, I’m totally on board to get behind that vibe. Sunset Sea Breeze is going to just add to the lore of the Bay Area; it drops on March 17th via Meritorio.

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