New Hazy Pop From Suburban Living

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Suburban Living is a band that I’ve always been into since discovering their fun haze pop sound last summer.  It’s a sort of pop music that’s bright and sunny with some major twee hints throughout.  This new song “Always Eyes” definitely falls into that vein and helps build my fandom of the band.

This one appears on a new 7″ from the group due out April 16th on Dialog Records.

[audio:https://austintownhall.com/wp-content/uploads/2013/03/Always-Eyes.mp3]

Download: Suburban Living – Always Eyes [MP3]

New Music from TEEN

homepage_large.01eb35c2This song surfaced last week, but I was actually out catching the band at hand.  They played a tight little set swirling with noise and wonderful melodies.  Now that I’m back in the world, I feel like Teen‘s new song needs some attention, as it was one of the hits they played during their set.  Interestingly, I felt like it was a bit noisier live, but I like the group holding back here, allowing for the powerful songwriting to make it’s way through.  The group has their new Carolina EP coming out your way on May 28th via Carpark Records. This is someone you should give some attention to in the upcoming weeks.

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Straight Rocker from Radical Dads

raddads-za800crop2.145244.120753I’ve always liked Radical Dads.  They’re not necessarily trying to reinvent the wheel musically, they’re just focusing on delivering solid rock tunes, much as they did with their first effort Mega Rama.  Now that they’re back, let’s focus on the fact that the group is growing increasingly consistent at providing chugging guitar lines and hooks galore in the vocals.  Not only does this make the band enjoyable, but it illustrates that we’ll all have our hands full when their newest record, Rapid Reality, is released in May by Uninhabitable Mansions.  Sometimes simplicity is the best formula for success.

[audio:https://austintownhall.com/wp-content/uploads/2013/03/RadicalDads_MountainTown.mp3]

Download: Radical Dads – Mountain Town [MP3]

Show Review: Starfucker @ The Mohawk (3/7)

Another show on the eve of SxSW we had to attend was Starfucker at The Mohawk. They always throw down the jams and recent IT Department favorite Blackbird Blackbird were opening.

It was severely sold out and though I did not witness it, I am pretty sure there were more than a few that managed to sneak in. By the time Blackbird Blackbird took the stage, the entirety of the lower area was jammed. Impressive crowd, they came to dance.

Read on for thoughts and a ton of pics including backstage stuff with furries, a spaceman and Gumby.

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ATH & SXSW: 3 to Watch Pt. 5

sxsw-part-6

I would love to say that I’m ready for next week, but in reality, my brain and body can never be fully ready for what’s about to take place.  To help myself, and you faithful readers, ease a little of the stress coming our way, we’ve got another artist preview coming your way.  As always, we’ll tell you a bit about the bands and also post shows we see listed.  Follow the jump for more.

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You Should Be in Love with The Wilderness of Manitoba

TWOM_PR_alternate1_small2It seems like I’m all over the place today, musically speaking.  But, it’s hard when so many good songs come my way at once to ignore things.  The Wilderness of Manitoba have just recorded The Leslieville Sessions (April 9th) in hopes of bringing about their live sound to their recorded material.  If this is what they sound like live, then I think I might just have yet another band to hunt down during SXSW.  When I first encountered the band they had a sprawling folk feeling, but this new track demonstrates a broader pallete, almost referencing a simplistic power pop/indie pop formula.  It’s just such a wonderful track I couldn’t help myself.  Hope you enjoy this song.

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New Punk Jam from Wire!

Wire-Change-Becomes-Us-608x608I won’t lie about my adoration for Wire; they’ve been the soundtrack to my life on and off for over a decade (yes, I was late to the party).  But, they’re revisiting some old tunes laying around, and this one sounds so good.  This jam has the perfect blend of pop warmth and steady punk pace-making that really indicated the band’s branching out.  You’ll find this gem on Change Becomes Us, which is filled with a bunch of tunes the group never got around to recording.  Glad they got it to us now; the new record comes out on March 25th.

[audio:https://austintownhall.com/wp-content/uploads/2013/03/Wire-Love-Bends.mp3]

Download: Wire – Love Bends[MP3]

Bright Pop from Fi/she/s

14966_340379512744791_1491863383_nOur site has expressed love for the work of Local Natives, and there’s an up-and-coming that comes from the same ilk, though that might not be quite fair to Fi/she/s.  They have a similar vocal structure to their tracks, and I can see how the percussion might have a bit of resemblance, but there’s some slight differences that I have really warmed up to.  For one, there’s a meandering guitar solo in the middle of the track, and one of the vocalists has a higher pitch, which gives the track a poppier feel.  Be sure to save yourself for the exuberant jam near the end, with electronic beats included. Loving this.

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The Cave Singers – Naomi

CS482358-01A-BIGRating: ★★★½☆

While I love a good folksy record on the softer side, sometimes it is nice to have some variation in your audio repertoire, and Pete Quirks grungy vocals will sure do the trick. Step aside mellow folk bands, The Cave Singers have a new release to rock the delicate harmonies right out of you.

Though, Naomi isn’t really a record that falls into the easy categorization of a single genre, but rather one that falls into many. While its pandering guitar lines gently nudge you to believe it’s a folk record, the hillbilly vocals of Quirks push you towards the raw edge of rock. For example, the first track, “Canopy,” is one of those tracks that really just fits in with The Cave Singers classic sound of folk. A seemingly gentle, yet pervasively intriguing riff welcomes you to the album, but the rawness of the vocals gives an edgier touch to the folk tune. The riff continues through this opening number, feeling as though The Cave Singers are picking up right from where they left off on 2011’s No Witch. Towards the end of the song you get this great little break down that makes you yearn to see this song in the live setting.

“Have to Pretend,” the song immediately to follow, shows the rocking side of The Cave Singers. Pete Quirks spits his lyrics at you as if some moody and broody rock star front man who takes control of the stage rather than a bearded folk man plucking away at his guitar. Some gang vocal variation between sharp and soft “oohs,” keep things interesting as Quirks continues on his lyrical monologue. It’s a great track, and in my opinion one of the stronger tracks that The Cave Singers have on this album.

There are certainly other gems to be found on Naomi, especially later on with “Easy Way,” in which the percussion, which is never that prominent in the mix for this group begins to stand out through the utilization of cymbals in the chorus. It’s also pretty hard to miss “Evergreens,” a soft number in the middle of things that strips this group down to bass, guitar, and vocals—a nice step back from the constant movement this collection of songs seems to possess.

Though some long time fans may wish for a little more variety in sound on this album, if this happened to be your first exposure to The Cave Singers, it would not be a bad thing at all. This band keeps putting out albums that continue to hold true to their base sound and yet move away slightly in the ways that you want it to.

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