Contest: Four Tet @ Mohawk (3/1)

FourTetThis is a pretty solid weekend for shows in Austin with everything from big acts like The Pixies, all the way down to some of our local favorites like The Sour Notes.  One show to keep on your radar has got to be electro mastermind Four Tet playing at Mohawk on Saturday.  We’re running a giveaway for the show with deets below:

Up for grabs: Your name with +1 on the press list

How to enter: Leave a comment below about anything you want!

We will pick a winner at random sometime in the afternoon on Friday so get your entries in!  Don’t forget to leave a valid email address so we can get in touch with the winner.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/four-tet-Angel-Echoes.mp3]

Download: Four Tet – Angel Echoes [MP3]

New Music from Dylan Shearer

12 Jacket (3mm Spine) [GDOB-30H3-007}I thought Dylan Shearer was a great secret, and after spending a lot of time with his last effort, Porchpuddles, I was happy to keep it that way.  But, like all great things, you can’t keep them to yourself for long, which is great for Dylan.  He’s signed on with Empty Cellar and Castleface to do a joint release for his new album, Garagearray (what’s with the lack of spaces?). Dylan’s one of those artists that I think doesn’t need a lot of discussion about the tracks details and what not.  Once you listen for a few times, you’re hooked. It’ll see a release on April 15th; be prepared to have yourself a new favorite artist.

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Greg Ashley – Another Generation of Slaves

ashley-lpRating: ★★★★½

The past few weeks I’ve been listening to Another Generation of Slaves pretty non-stop.  When it came down to the arbitrary rating system, I wavered between a 4 and a 5, then settled on the now visible 4.5. While those numbers may mean little, all I can say as I write is that Greg Ashley has left us with a record that, at this point, is the best collection of songs I’ve heard this year.

“East Texas Plain” is a brilliantly solemn ballad.  It opens with a barroom piano while some understated percussion provides the perfect accent to Greg Ashley’s voice.  There’s something that goes into his vocal delivery that offers a familiarity to it; I keep thinking that he’s a more palatable Richard Hawley.  I particularly like how there’s just a little buzz in the recording too, providing some authenticity to what lays within.  Yet, Ashley doesn’t want to create something that weighs you down with one simple style.  “Brother Raymond” is a bluesy offering that brings a little bit of a rock n’ roll swagger to his creation.  It’s the perfect placement too…giving a bit of energy before bringing you to the best track.

It’s not that Another Generation of Slaves peaks entirely early, but I cannot get “Awkward Affections” out of my head.  There’s not too much to the actually lyrical content, but there’s a huge emotional pull going on inside.  Perhaps it’s the repeated séance of “you make me feel like shit/I wanna kill myself.”  If you’re looking for a song that begs to be played again and again, you should find a way to get your hands on this number.  However, the early tracks, like the three above all fall under 4 minutes, while it seems Greg saved his more laborious tracks for the latter half of the record.

The last few tracks on this record are all over 5 minutes, with my personal favorite being “Prisoner #1131267.” I love the piano work on this track; it sounds like there’s some classical training here, but at the same time, the way it’s used makes it seem like it’s just about to go out of tune; it buzzes and hums in your speakers.  It’s songs like these, which is pretty much every track, where you can hear an artist putting every bit on the line, musically.  Sure, Ashley might sound subdued at times, but other moments exist where he’s just belting out the notes, maximizing his passion.

I can’t really explain how much I love listening to Another Generation of Slaves.  There are songs that sound like cowboy piano ballads, then there are others with horns to jazz things up a bit.  There’s no telling which way Greg Ashley is going to take you on this listen, but I can assure you that no matter which way he goes, you’re not going to be let down one bit.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/03-Awkward-Affections.mp3]

Yellow Ostrich – Cosmos

YellowOstrich_CosmosRating: ★★★☆☆

Though five full albums into their career, it seems like Yellow Ostrich are still a bit under the radar, or perhaps just my radar. Regardless of their notoriety, the band is currently a four-piece outfit that hails from Brooklyn, of all places. What started as the solo project of lead vocalist and guitarist, Alex Schaaf, has blossomed into the group effort that produces guitar focal indie rock, which is quite clearly found on Cosmos.

The main difference on Cosmos, oddly enough, is that the balance between electronic elements and electric guitar have been switched for the most part from what we came to know on earlier efforts such as on the Ghost EP. Heavy guitar is the central element, and even on the opening track, which isn’t the most enticing number that Yellow Ostrich have put out, you can see this shift. “Terrors” seems simplistic for the group, relying on the hardness of the guitar sound to carry the number. Though different, it provides listeners with the notion that a different kind of sound can be expected, even if it isn’t exactly what the first song entails.

And if the opening track is a lacking in the intricacy that this ban has thus established, then “Neon Fists,” directly after, offers a rebuttal to everything that I just described in the last paragraph. Suddenly the band is equal parts guitar, equal parts electronic aspects. These two sounds seem to play off each other, each swirling around the other until they have layered to create a cosmic soundscape for Schaaf’s high-pitched nasal vocals to sit lightly on top, bouncing around. Another track that seems to flip around the notion of guitar heavy centricity at first is “How Do You Do It,” which picks up with a drum machine beat and slight clicks and pops. Schaaf comes in with heavyset lyrics, contemplating the nature of the normalcy of day-to-day life. He poses us the question with some power chords of guitar. Here is juxtaposition that I wish was more prevalent on Cosmos: the detailed lyrics and the balance between delicate and harsh seem to blend effortlessly, giving this track real traction and intrigue.

Though there are some good tracks to this album, all in all it seems that it is lacking in the grand vastness that the title might imply. I find myself enjoying a fair amount of numbers, but missing something overall. You might disagree with this sentiment—and at 34 minutes in length, you can see for yourself. Have a listen.

Another Jam from SoftSpot

softspotJust a few weeks ago we brought you “You/Yours” from SoftSpot, and I was really impressed with that song; here you’re getting another impressive performance from Sarah Kinlaw.  Her softness definitely allows this emotional space from which her bandmates can carefully weave their own magic, entrancing listeners. I still hear this ornate guitar styling that reminds of a Kinsella brother, and that’s definitely a good thing in my book. Their record MASS will be released on April 8th, so your enjoyment only need wait a little longer.

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More New Music From Potomartyr

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Protomartyr is a group that we’ve really jumped on board with over the last couple of months.  Their dark pop tunes have this haunting quality to them that seem to find a place in your brain and replay over and over.  Here’s another new tune for you today that I’m sure we’ll be doing just the same thing.

New album, Under Color of Official Right, is due out on April 8th via Hardly Art.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/Come-See.mp3]

Download: Protomartyr – Come & See [MP3]

SXSW 2014 Interviews: Big Bill

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As we prepare for SXSW, let us not forgot all of the great local bands that will be performing all over town that week.  I know some of us Austinites tend to stay away from our local friends since we see them so much during the year, but let’s at least promote their greatness to the world.  Today I’ll be doing so by sharing some interview responses from recent discovery and ATH favorite Big Bill.  Follow the jump to see what they have to say. Read more

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