Wye Oak – Shriek

WORating: ★★★½☆

In 2011 we welcomed Wye Oak’s stunning third full length release, Civilian, which was a record of huge growth and refinement for Jenn Wasner and Andy Stack. After such a great album, it’s often hard to imagine where a band will travel next, especially one so small as this duo. This forth time around, the two have gone electronic, ditching the guitars from before and replacing them with atmospheric and electronic sounds. It is an interesting choice, especially after the success of their last release and one that comes with its rewards and drawbacks.

They open slowly this time around with “Before,” and immediately the new style is audible; a synthetic soundscape fills your ears as this duo transport you to a space of tranquility and effortless sound. The percussion is distant, with a faded, subtle quality that offers a dreamy kind of mood to the tune. Of course you have Wasner’s indistinguishable vocals that confess the opening and closing line of the song: “This morning/ I woke up on the floor/ thinking I’d never dreamed before.” The mood of the album is elucidated in that brief lyric; the whole thing feels a bit like melancholic and unpinned nostalgia expressed via delicate sound.

I was quite impressed with the first half of the album; while the sound is not overwhelmingly complex or drastic, the songs they’ve crafted are a solid step into the electronic side of things. Title track, “Shriek,” picks the tempo up a little while maintaining that dream-upon-waking atmosphere. Lead single and my personal favorite track, “Glory,” will have you dancing along to the beat while the vocals craft a bit of drama to latch onto, propelling the song from just being a groovy number.

While there are still some pretty good tracks on Shriek that beg for repeated listening, the sweeping majesty that was introduced on the past album isn’t really matched here. I find myself missing the clean guitar and Wasner’s crisp and elegant vocals that Wye Oak did so well the last time around. After the mid point of the album there is certainly a drop off in the level of intrigue in the tracks and the minimalist sound becomes a bit bleak. That being said, I appreciate the last song, “Logic of Color, ” as the electronic elements take a backseat to the vocals and round out the album with a track reminiscent of those encountered earlier on the album.

Shriek takes Wye Oak down a different path than we’ve seen them go before, and it is enticing for the most part, but I wish a few of the tracks went a little further down this trail and out of the box.

Show Review: Bells & Parks @ Holy Mountain

bellsandparkVersailles, the ambitious and aptly titled EP of Austin new comer Bells and Parks, strives to create the detailed soundscapes and layers reflective of their self appointed Baroque/Dream Pop genre. A follow up to to the March 13th single “Streams”, Versailles is executed with the focus that was missing from the group’s freshmen effort. While “Streams” sounds like the excited songwriting effort of a new Micro-Korg owner, Versailles is more contained and thought out, with mature use of synth layers to inform the songwriter’s vision rather than overwhelm it.

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New Music from People Get Ready

peopleJust when I thought I was ready to give up on well-crafted pop music like the National, this tune from People Get Ready jammed itself into my inbox.  At first I was struck by the vocals, as that’s usually a huge draw for me as a listener.  Then the construction of the song took a hold of me, as I marveled at some of the careful guitar work and the backing vocals that fill in some gaps.  It’s a pretty interesting sound, and I think it’s worthy of your time on this Thursday.   The group will be releasing their new album, Physiques via Brassland on June 24th, so stay tuned for more great tracks.

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Fall In Love with Cold Beat

ColdBeat_byRingoI’ll be the first to admit that I was pretty floored by the last Grass Widow effort, so since their departure, I’ve been keeping an eye on what Hannah Lew has been working on.  This track from Cold Beat fills in pretty nicely as her new project,  still kicking out those great guitar lines that serve as the background to her vocals.  Personally, I love how the vocals work atop each other here; it’s like one person is singing while the rest are working in juxtaposition, yet it all fits nicely.  If you’re going on this song alone, sounds like the band’s debut, Over Me, won’t be too far removed from what Lew’s done before (and I mean that in a good way); the record hits on July via Crime on the Moon.

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Show Review: The National @ ACL Live (4/22)

The National

After last year’s RainCL debacle, many fans of these gentlemen from Brooklyn were disappointed to miss out on their set, which was scheduled for a brief slot on Sunday. To counter this missed show, The National came back in full force, booking two sold out nights and a third added in the aftermath of popular demand. Riding high off of their sixth full-length album, which has steepened their rise of popularity initiated by High Violet to a new level. They brought along the ladies of LA’s Warpaint to open, and the crowd was amped up to hear their new favorites off of 2013’s Trouble Will Find Me. 

Click through for more on the show and plenty of pics from the honorable B.Gray…

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Another Hit from 3108

3108_pressphotoJust a few weeks ago I brought you the infinitely catchy “Go to Hell” from 3108, the next release from Trouble In Mind Records.  Today, I bring you another such track, offering you a song that dwells in the same vein, though this one isn’t as immediately catchy.  I don’t mean to diminish the tune, as good things come to those who wait, but it’s simply different; after all, you don’t want your records to all sound exactly the same!  The driving rhythm is similar, but the pop sensibility doesn’t unfold as quickly, lurking for you in the back of the vocals.  This self-titled record will be available for you to purchase at your favorite store next week!

[audio:https://austintownhall.com/wp-content/uploads/2014/04/10-Ease-Up.mp3]

Download: 3108 – Ease Up [MP3]

Austin Psych Fest 2014 Interview: Secret Colours

secretAustin Psych Fest is just a few short days away, so I reckoned we oughta ramp up our coverage.  Today we caught up with Secret Colours for a quick pre-fest interview.  I really love the Chicago band’s responses, and I appreciate greatly the thought drummer Justin Frederick put into his answers.  The band will be playing at 5:45 on Sunday at the Reverberation Stage.  Let’s get ready to enjoy ourselves at one of Austin’s best festivals.

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Bouncy Tune from Astrid Swan

astridswanUp until now, the music we’ve gotten from Astrid Swan has been pretty mellow, which is well and good, but today we’re finally able to share with you one of my favorite tracks from her album, Astrid 4. Of course, the song features the great vocals that have been present on everything we’ve shared with you.  To me, this illustrates the diversity that you’ll find on her new record, from ballads to upbeat numbers, all of which are well-produced.  You can order the Astrid 4 from our good friends at Soliti Music.

[audio:https://austintownhall.com/wp-content/uploads/2014/04/06-Black-Bear-A-Hoofer-24bit-mastered.mp3]

Download: Astrid Swan – Black Bear & A Hoofer  [MP3]

Show Review: Odonis Odonis @ Mohawk (4.21)

Odonis OdonisI know, I know. Everyone was at the National on night one! But, I’ve seen them, and I was going on Tuesday, so I penciled in a show that I was really excited about.  I’ve been raving about Odonis Odonis since their last EP, and their new record, Hard Boiled Soft Boiled, has been on constant rotation.  While the crowd might not have been what I hoped, the show definitely lived up to my expectations. Read more

Creative Pop from Dub Thompson

DT.11183v2You click play, and there’s a bump and a groove. It’s slow and steady, moving beyond the 1 minute mark.  Then the throb subsides minimally for a nice vocal display.  But, it’s short and sweet, as Dub Thompson seems more intent upon having a little bit of fun with this track.  The duo take advantage of the song’s inherent melody, even as it hides beneath a noisy wash of pulsing organ grinding and explosive atmospherics.  The duo will release their album, 9 Songs, on June 10th via Dead Oceans.   Check out the tune below to get a feeling of what to expect from these guys.

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