Last Week’s Jams (2.9 – 2.16)

Okay, so we took off Monday. Sorry about that, but there was some holidays and I got to spend some time with my kids. Now I’m circling back, and man, we had some bangers last week, or at least in my brain. I really loved hearing new stuff from Salt Lake Alley and Seasonal Falls, both acts from overseas who we’ve loved for quite some time. Plus, it’s an added bonus we got to continue to support our local homies in Touch Girl Apple Blossom as they announce their debut for K Records. We got to premiere a new track from 37 Houses with some powerhouse vocals you’ll want to crank up, plus that new Deathcrash tune isn’t too shabby either. Jump in below.

Extra Space Share Something Strange

I was completely fooled by the cover art on the new Extra Space LP; it looks and feels like you’re going to get something in the vein of post-punk, something sharp and angular. But, the band are more of a sort of pastoral brand of indie rock, akin to what you’d hear on a record by the Clientele, only with a little more precision and less fogginess. Vocals are quiet, hanging on the edge of the mix like they could drop out at any time here; this method, along with the drifting nature of the music is like a witch’s beckoning finger, calling you into the confines of the track, mesmerizing you with the melodic movement permeating your soul. Look for New Colors to drop on April 24th.

Pleased to Meet You: Nima and the Joons

If you’re one of those that’s been hanging on our site for some time (we’re talking at least a decade) you might recognize Nima Kazerouni‘s name, as he was one of the members of ATH adored act So Many Wizards. Just this last week he’s popped up with this spritely nod to his father under the new project, Nima and the Joons. The song’s centered around infectious guitar rips and an understated wash of synth notes, but careful ears will grab onto the various other textures Nima has put into the tune. Thematically, it applauds all those parents who put their lives to the side to build something for their families, much like Kazerouni’s own dad who toiled is way to success after fleeing Iran. Glad to see Nima back in the game!

Another Tune from the Notwist

Having been away from the craft for a few years, the Notwist‘s return has been pretty triumphant, with sites such as ours praising their new work, but on the new single, there’s this timeless charm that reminds us all of the talent in the outfit. It’s a really light number, bounding carefully atop a steadied strum of acoustics; they add little layers, inch by inch, as if each corner of the song was examined to discover what was needed. At times, there’s a crash of cymbals or a wash of synths or a female backing vocal or some horns, all of it illustrating the beauty of perfect pop texturizing. News from Planet Zombie will be out on March 13th.

Bleak Streak Drop Gosh Single

The folks in the Swedish pop scene continue to build and craft pop nuggets that I just adore, such as this quick little single from Bleak Streak. The trio’s been on our site before, and the quick rush of angular guitars sucked me right under the current, as it always does. That being said, the overlapping vocal pieces allow for the song to snap at your heels, pulling the vocals back for a little brightly ringing serenade from the old six string. And, just as soon as they catch your ear they fade into the horizon. There’s a boygirlme remix you can grab too!

Gun Outfit Share Unfelt Loss

While there was a compilation of tracks that popped up in 2021, we haven’t had an official new release from Gun Outfit in nearly a decade. But, they’re back now, with a brand new record for Upset the Rhythm, and this new single has my attention. They offer up a sort of desert psychedelia, with this tune driving forward on a galloping bit of percussion; I love the way the backing vocals sort of blow across the song, tumbling through the track. If you’re as excited as I am, be sure to pick up a copy of Process and Reality, dropping on May 8th.

Hannah Lew Shares Sunday

Hannah Lew‘s new record is going to be absolutely huge, if not commercially, at least in the aim of the musical element. On the latest single from the LP, we get Lew building a world of pulsating synthesizer lines; these are done in a classic fashion, that’s reminiscent of every brilliant moment on your favorite 80s movie! The dreamy approach of the vocals is certainly one that lurks in the shadows, allowing the vibrant rhythmic beat to pop and push the pacing of the tune. You also get a nice video accompaniment here, with director Luciano Talpini Aita exclaiming that the film footage is a reflection of “simpler times from my childhood.” You can grab the self-titled debut on April 10th via Night School Records.

Heavenly Share Scene Stealing Video

The new single from Heavenly opens with one of the band’s secret weapons, the combined swell of melody from Amelia and Cathy, and that gets things started in the right direction. Angular strums come in, with the the bass and drums creating a head-bobbing bounce that provides the energy with a light sway as they dive into the tune’s jittering grooves. Little bits of synth and guitar stabs are offered in this instrumental breakdown that reminds me how close jangling guitars are to classic reggae stepping. They’ve incorporated a modern twist on the A-Ha classic “Take On Me” video that you can catch below, only it’s spun through a YouTube video format as opposed to the comic version from the original. Highway to Heavenly is out via Skepwax on February 27th.

SSAANN Share Dream Pop Single

Let’s spread out the vibes today, why don’t we? We’ve had some jangle pop, some folk-aligned indiepop, and why not throw a dreamy number on top of it all? Wisconsin outfit SSAANN have just shared a fresh tune that’s offering up a great message of leaving drama in the past, all of it set to a dreamy wash that nips at your ears. The guitars are light and distant, letting the synthetic nature dominate the tune; this is matched by the way the vocals are layered atop the mix, evolving more as a textural piece, almost. But, be sure to soak up the message, as there’s no need to look back…you’re better now, you’re above it!

37 Houses Share Eye for an Eye

If you’re a sucker for a huge voice, then you’re going to love cranking the newest single from 37 Houses; Erin Sydney’s voice hits with this immediacy that’s dripping with emotion and force. Listen and you’ll hear as she climbs the scales, only to tumble down to the ground again; it’s an element that seems perfect for the thematic element of the track and their new record. Musically, the song ascends and crashes to tumble about in the gritty ground. How does that fit into the song’s narrative? Listening to lines like “tell me please/is there any light you can see/I’m drowning/but so in love” portray the struggles the duo faced in the evolution of their marriage; it’s a common thread throughout the whole of When and How It Happened, which will be available on April 24th, but you can grab it HERE.

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