Starting off this Wednesday dreaming a little bit, perhaps wishing I was somewhere else entirely…so it works perfectly that I had this track from Peli Gene hanging about in the old inbox. There’s just something so satisfying about the emotive quality that drops in the moment the guitars crash into the synths in this song’s opening moments. The vocals come across so sedate, relying upon the angular notes of the guitar to force them into altered tones that maximize the melody. It’s pretty simple in its structure, but ultimately it was so satisfying that I just kept coming back to get the sweetness of those guitar tones.
When I first heard BODEGA a few years back, I was completely thrilled; they had this brand of post punk that was musically sharp and filled with biting criticism. But, that sound gets easy to pigeonhole, so its great to seem them sort of move into some new territory with the announcement of a new LP: Broken Equipment. This round, they don’t shy away from social critique, taking aim at the world’s necessity to entirely push output as the endgame. Musically, there’s still a rhythmic pulse beneath the surface, but it feels like there’s this openness that allows Ben Hozie to work his distinctive delivery into the mix. I love how the guitar seems to tip-toe around him, ringing out during the chorus. Tunes like this only have one home…What’s Your Rupture drop the LP in March of next year.
If you’re looking for a band to root for, I suggest putting Slack Times up on the radar there, as their new At the Blue Melon Rendezvous definitely ups the ante on their first EP, leaving hope that the band get back into the studio to drop more tunes. They were looking to recreate some of the magic of Athens jangling pop, and while they do touch up on there, they also bring in a bit more of an expansive sound…sometimes all at once…like if you listen to “My Time,” which feels like the best punk jam REM never wrote. I think they also sell themselves short in that goal too, as you can clearly hear other regional powerhouses haunting their songs, though I’ll leave that to you to find the musical breadcrumbs. Regardless…rejoice in good EPs, like this one!
I’m sort of hooked on the sounds of Astral Brain; they seem to have hit upon a sound that sounds both present and slightly nostalgic. You can certainly hear the psychedelic construction in the guitars and the seductive steadiness of the vocal delivery; it lets you melt into the imagery of the video, which is perfectly suited. But, just as you felt comfort in a familiar sound, the track hits the 2:10 mark and takes on this jazzy bounce that adds an uplifting nod to the track’s heavy nature, allowing the tune to gallop towards a dreamy, yet energetic, close. Their album the Bewildered Mind is now available via Shelflife.
You didn’t think 2021 would finish off without another LP from the Black Watch, did you? Fortunately for us, John Andrew Fredrick has never seem fully satisfied with his work, so he’s constantly evolving, and he’s done so through the course of 19 releases. But, now we come to the latest, Here & There, where’s he aimed to add a little more of an untraditional approach to his pop repertoire. John wanted to move away from songs that had ‘proper bridges or pre-choruses,’ thus giving more space in the songs for movement…and the added string arrangements of Ben Eshbach (2 time Emmy winner!). Below you can still hear the textured layers of guitars working in unison to create towering cliffs of noise, crumbling to reveal his velvety pipes. But, where he’s historically had some immediacy with the vocal/lyrical structure, that’s stripped away, leaving the song with this vast bit of space, letting the guitars create their own musical journey for the listener. Here & There will drop on November 12th via Atom Records.
If you haven’t been keeping an eye on Friday, it’s going to be a pretty hectic schedule; there are just too many releases to keep an eye on. But, one that’s been on my radar is the new LP from Cong Josie, the alter ego of Nic from No Zu. He’s crafting this dark synth pop that feels part Las Vegas entertainer and part deep house techno orchestrator. At times, he seems to be poking fun at the listener, throwing in these little kitsch elaborations to catch your ear. Still, you can’t help but feel that he’s got his finger on the pulse here, tapping into our desire for high octane synth pop madness. Cong! drops Friday via It Records.
Alright, I know this new Low Life jam came out last week, and I’m thinking it was covered by the sites where the cool kids go, but I love Low Life, so wanted to make sure I had a little bit of coverage for it on my end too. Opening with this discordant experimentation, the tune soon travels into this sort of cavernous feel. Those guitars seem claustrophobic, they’re exploring the nooks and crannies of the song’s space, but there doesn’t seem to be anywhere to go, so they echo in the background. Vocals on this one are heavy, almost forlorn in their presentation, though it all comes across like this distant communication from a parallel world. Yeah, it rules. This tune’s on their new LP, From Squats to Lots, the Agony and XTC of Low Life, out via Goner Records on November 5th.
In what is looking to be a huge week of releases, Melbourne’s Mod Con add to that with their forthcoming Modern Condition, dropping this Friday via Poison City Records. They drop their latest single, fueled by these guitars knifing their way in and out of the mix, gritty and distorted, though sometimes sharp and angular. I love the vocals too; they feel like they’re from another era in a sense, filled with bravado and boldness, still dripping with a bit of a hook in there. Sounds like Crucial Taunt, with a whole lot more attitude. Be sure to get a copy of the band’s LP this Friday; link it HERE.
I’m a huge Scott von Ryper fan. Well, that’s not entirely true; I’m a huge fan of his work as part of the duo, The Black Ryder…so technically, I’m a SvR fan, right? This past week he just dropped Dream State Treasure, his debut solo record, so I wanted to hip you to a little bit of the tunes that are in store here. Listening through this track below and you’ll get the gist of von Ryper’s work; there’s a perfect balance between heavy riffs that crest/crash upon your ears and a nice melodic howl that seems to be adhere to just a bit of personal conflict. I chose this tune below because it feels huge, while also feeling like its fucking really gritty, which is what I feel is a great representation of what Scott brings to the table on his record. Give a listen.
We brought you “Gone” back in September, signaling the return of long-running synth pop act Shoestrings. The song has this vibe that seems right on par with acts such as Red Sleeping Beauty; the sort that has the subtle nod from electronica and the dreaminess of classic pop. And, here we are today with a video for said track, equally as charming as the song itself. The star of the song is a bunch of children, hopefully just having fun listening to the track at hand…and even if not, they play it off well. Not everyone loves kids, but if you do, you’re going to be damned smitten with this video! Expectations is out on November 5th via Shelflife.