Girlatones Ready Split with Forever Son

If you went and visited my plays in the year of 2020, you’d probably see a heavy bit of Girlatones on there; I adored Horn if You’re Honky. So, just last week I caught wind that they had a new split planned, and had already dropped a few new tunes I didn’t even know about! They’re both brilliant, and they illustrate exactly why I love the group, letting their albums kind of embrace all the good sides of pop songwriting, but blowing any which way the band choose. Look at the spritely feel of “Only the Best,” popping and weaving like some of the sharpest indiepop around. Then, “On the Wall” masters the moments, like the tonal switch from second 24 to 28, hitting me with an emotional arrow while the tune stomps on. I’ve also included a Forever Son track from the split, so you can further sample what’s coming your way soon. Three great song, one post! By the Book is out on BDK Records on Friday!

 

Angel T33th Drops Mika 2000

As I just want to revel in the full body sounds of music this morning, you know a track like the one from Angel T33th just hits right. There’s something dark lurking in the pulse of the beat, and even with the dreamy nature of the vocals, there seems to be this sense of quiet resignation coursing through. But, when the beat drops and changes directions towards more of a stabbing electro pulse, you can let your body and mind completely free, and I’m totally in awe of that moment, for myself. There’s a new record coming out later this year, so keep an eye out if this seems like the right fit!

Max Threat Share Clorox Polaroid

There’s definitely a dark cloud hanging over Texas at the moment (more so than usual), so I’ve been digging deep into the saved tunes pile, kind of trying to find the mood for my brain to chill…which is where this Max Threat tune hit. At times, the murkiness feels like a brand of shadowy club pop, and your body is immersed in giving itself entirely to the rhythm. Other moments have these stabbing notes that collide and crash into one another, like a bastardized version of Blank Dogs where everything feels like a beautiful mess. Just an exploratory bit of pop that I was glad floated my way this morning.

Billy Bonbon Share Tomorrow

If you look over to the Parisian outfit Billy Bonbon, you’ll find a young band playing a boisterous brand of pop rock, albeit with the slight influence of shoegaze and dream pop. I love how they approach their songwriting with this sense of fervor that’s undeniable, as they almost make this song a heavy growl that you’re forced to confront. They balance out a sugary vibe that works against the harsher elements that crash upon the listener, particularly in the way the two vocal pieces seem to work against one another. In a way, it reminds me of early Surfer Blood with bit more allegiance to noise!

K Boswell Shares Under the Gun Video

Kristina Boswell should be familiar to our readers, as she helms Austin’s Kay Odyssey, who’ve been frequently featured on this site. But, at the moment she’s off on her own, working under the name K Boswell, and just dropped this haunting new number. Beneath the surface of the song lives these trickling little electronic notes; it leaves the song with plenty of space for Boswell to drape the track in bending guitar notes and hazy ambiance. Her voice hangs in the corners of those notes, like a spiritual of some sort flickering light upon the listener from the shadows…I’m sure some folks might even throw a little Kate Nash nod her way after hearing this tune. Always glad to support K Boswell, and you can too by listening or grabbing something on her Bandcamp.

Your Monthly Club 8 Dose

Every month, for the last two years, Swedish pop outfit Club 8 have dropped a singular tune; the tune’s pull from a style drenched in the country’s rich history of dreamy pop. That being said, they always continue to manipulate their own formula, like here where they hit you in the face before the first second has even passed by your ears. I honestly thought that this was going to be one of their bangers, hitting hard in the rhythm section while the vocals kept pace, but after that opening punch, it recedes to bring about a more melodic dreaminess that wants to curl aside you like your favorite cat. I’ll gladly write about this band every month if they keep dropping me these gems!

Last Week’s Jams (6.30 – 7.4)

It was a shortened work, so we crammed in a good 20 tracks to get you covered in the newest and coolest from “the underground.” Really loved some of the stuff coming out of the West Coast, like new Galore and The Wind-Ups; Texas had some decent representation too, with new Teethe, The Stayres, Alien Eyelid and Nuclear Daisies tunes making their way onto the playlist. Old favorites Quality Used Cars and the Radio Field made solid returns, and I found myself super stoked to have stumbled upon Madrone (whom you should all check out immediately). Dig in and see if there’s something rad you love…and if so let us know!

Mob Wife Drop Make You Rich

If you haven’t had a proper dosage of post-punk this week, then might we guide you towards the recent single from Belfast’s Mob Wife. They operate much like their peers, critiquing society, particularly influence culture, with a snarling vocalist who I envision walking the streets belting out commentary to his peers. But, while the first 2 minutes seems like your average fare, the tune begins to open up into something quite special; the guitars are a little softer, stretching into a bit more of an explorative space, allowing the song to twist and spiral into its own catharsis. Both bold and pensive, and all the while leaving us with something to think on!

Quality Used Cars Announce One Hundred Million

Melbourne has consistently provided our site with great band after band, and Francis Tait’s band, Quality Used Cars, has been one of the most consistently charming. They’ve just wrapped up the completion of One Hundred Million, and as they ready the release, I thought this track has the appropriate amount of charm to sink into your brain. It begins fairly innocently, with Francis’ voice narrating as the lightest guitar twangs about, awaiting the layered stomp from the drums and additional guitar. In operating this way, the song begins to build, opening the track up with the chorus of “you can’t please everybody all of the time.” From there the song lifts, using some fiery guitar solos and group dynamics to add bulk to the performance. One Hundred Million will be out on Spoilsport Records on August 28th.

The Radio Field Are Back!

It’s been a few years since German outfit The Radio Field have popped up with something new, and as they return, they’re coming out swinging. They waste little time with those jangling and twisting guitar notes entering almost immediately; the steadiness of the rhythm section allows them to twist and turn perfectly while the vocals offer a bit of the sublime. I think there’s a nice little touch too in the song’s latter stage when the whole team starts to put in their vocals, though they’re staggered so it comes across like an indiepop call and response. Hope this means there’s more on the way!

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