New Bums – Voices In a Rented Room

new bumsRating: ★★★☆☆

Sitting in my room by the lamp light seems like a fitting way to listen to the new release from New Bums, though this room is paid for.  Going from song to song, Voices In a Rented Room is an album that truly fits best when you’re wrapped up in your own solitude, letting the tracks wash over you.  But, with that in mind, it’s also one of the things that might wear on the listener.

“Black Bough” is one of the best slow jams I’ve heard in a really long time; it deserves to make it onto any playlist you create. I love the way the vocals were recorded, seemingly entering your ears on the cusp of the wind. There’s a heavy-heart that arrives too via the solemn strumming of the guitar; it helps establish the forlorn characteristics that accompany the track throughout.  Moving forward into “Pigeon Town” you find more of the ornate guitar play that is associated with Ben Chasny and his earlier work with Six Organs of Admittance. But, while both these songs are carefully structured, including the string touches on the latter tune, it’s easy to see yourself getting stuck in the same listening space; there’s not a lot of movement sonically in Voices In a Rented Room.

For an audience new to the writing of these two, I think there’s several songs that you’ll find special.  I can’t tell if it’s the recording itself, but I love the sincerity that’s present in a track like “Mother’s Favorite Hated Son.” If you listen closely, you’ll hear a bit of a buzz coming through your speaker as the deeper notes are struck; it reminds me of listening to a record I’ve listened to far too many times, worn out by the needle. That same slight buzz is present on “It’s the Way,” but the vocals are definitely what attracted me to this number.  I love how the higher pitch in the vocal is matched by a slight string touch; it’s ever so gentle, but it adds the perfect listening sensation.

Therein lays both the strengths and weaknesses of going through this release from New Bums.  Every song seems to have purpose, and with that comes a great attention to each little detail, each shift in pitch.  Those artists’ brushstrokes give each track a redeemable quality, but it does make it hard for a passerby to fully grasp what is beneath the surface.  It’s not something you can rest with in the background, but a piece you have to immerse yourself into, maximizing your relationship between the emotional pull and the band’s intentions. If you’re willing to dig deep, you’ll find a great bit of happiness in hearing Voices In a Rented Room.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/01_Black_Bough.mp3]

Download: New Bums – Black Bough [MP3]

SXSW 2014 Interview: Peach Kelli Pop

pkpWith a slew of labels coming into town for SXSW, perhaps there is none more hard-working than the guys over at Burger Records.  They’ve got tons of bands to work with, and they try and organize a big weekend-long extravaganza so you can get your fill of their wide variety of acts.  We’re helping them spread the word by interviewing tons of these bands, and today, our interview brings us to Peach Kelli Pop. Read on below. Read more

Enjoy Your Day with Shorts

shortsI found this tune while I was trolling the Internet, hunting down our virtual friend Curtis from Velcro. Shorts is actually a Brooklyn act, but it’s founded by a former Australian, which is probably where Curtis comes into play, running a similar path in life.  Of course, this is exactly what I wanted to hear today; it has a bright guitar chord that dances around the song’s melody, while casual harmonies come in via multi-part vocals.  You’re going to want to get your hands on this bad boy when it’s release by Aloe Music on March 18th; it’s titled the Berlin 1971 EP, and it’s sure to be a stunner.

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Let Miniature Tigers Brighten Your Day

miniature-tigers_320It’s been quite some time since I’ve heard anything from pop hit makers Miniature Tigers.  So long in fact, you could’ve told me that the band was no longer making music at this point.  With all that aside, I was happy to find out the band was indeed still making music and have a new LP planned for later this fall.  First taste of this new album comes our way in a summer inspired, fun tune called “Swimming Pool Blues”.  I doubt any of you people out there can deny the upbeat, fun, pop qualities here creating a memorable track worthy of repeat listens.

We will eagerly await new album Cruel Runnings due out on May 27th via Yebo Music.

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Contest: Ticket Giveaway for Pat Mahoney of LCD Soundsytem

1149650_600371506701037_1279571646_oAlright all you dance-ateria types, we’ve got a great deal for you courtesy of our friends at Learning Secrets.  They’re putting on an incredible dance party this Saturday night at Kingdom featuring Pat Mahoney as Museum of Love; he’s one of the founding members of LCD Soundsytem.  You can definitely hear how the beats were constructed for the old group, though Mahoney has a different spin on the vocal take than James Murphy (deeper).  Plus, not only do you get to hear Mahoney and his friends throw down, but the boys in Learning Secrets will be opening up the night too, taking on a two hour set starting at 10.  Tickets are $15 HERE, or you can pay $20 at the door.  Your best option is to leave us a comment telling us why you deserve to go to this; it’s that simple. Contest closes Friday at Midnight.

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SXSW 2014 Interview: The Rich Hands

richhands“Have never checked that out but seems like it would be pretty cool!” Yo, this is what I’m talking about! SXSW Interviews.  This is one of the great things about SXSW; you get to discover brand new bands to love and adore. Perhaps one of those bands will be the Rich Hands, the Texas trio who seem to be working as hard as they can to get as many dates lined up for you as possible during the week. They have at least seven shows, so check out what they had to say, and try to hunt them down during the festival (their tour dates are at the bottom). Read more

New Tune from Each Other (SXSW Act)

eachotherOne of the many bands I’m really excited to see this year at SXSW is Each Other.  We’ve covered the band previously, and we even have an interview scheduled to run with them in the next few days.  But, today we share with you their latest single that shows the careful operation of the band’s music.  Their first single had a very angular approach, filled with a nice hook, but this song unfolds slowly.  It’s focusing on a nice little bounce that the group has built from their sharply ringing guitars and steady drumming.  It’s just another great tune that’ll pop up on the band’s Being Elastic album, which is slated for a March 4th release date.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/08-Your-Ceiling-is-My-Floor.mp3]

Download: Each Other – Your Ceiling is My Floor [MP3]

Enjoy This Tune From Wake Up

wake up 1

I have a strong feeling that you’re thoroughly going to enjoy this new tune called “Forever Home” brought to us by up and coming Florida band Wake Up.  The swirling guitars and hurried feel to the garage rock inspired song could easily remind one of fellow Floridians Surfer Blood (who they happen to be on tour with).  It’s a fun pop rock tune.

This track appears on new 7″ Forever Home out on March 11th via Decades Records.

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The Black and White Years – Strange Figurines

b+wRating: ★★★½☆ The Black and White Years are a local outfit composed of Scott and Adrienne Butler, Landon Thompson, John Aldridge and Billy Potts that first came together in 2006. While originally a three piece, the band added on over the years to this final lineup. A mix of indie art rock and dance floor inducing tunes, Strange Figurines makes their third LP, the likes of which will have you grooving along with the group.

“Embraces,” kicks this album off with a bang. There’s a brief moment of acoustic guitar and subtle ooh’s at the opening of the song, before the beat jumps in and picks up the rhythm—this moment of repose is reminiscent of something you might find on a Cut Copy record, and the hype is just as tangible.  Suddenly you’re in the song, and Scott Butler is there with you, his commanding yelp informing you loud and clear that he’d “Die for you, but only if you want [him] to.” Besides the ever-apparent detailed lyrics and catching vocals, the instrumentation also begs for your attention. Layers of drum machine beats, buzzing synthesized drones and guitars all combine to create not only a groovy, but a sonically complex tune that stirs not only your dancing shoes but your mind as well. The song ends nicely rounded to the beginning of the song, bringing a somewhat cathartic and satisfying close.

The nuances of “Embraces” are just what makes The Black and White Years’ music stand out from your average electro-pop group. Another dimension that is relatively new to this group is the female vocals of Adrienne that pop up prominently on “Just Like Old Times.” Semi-robotic, but also charmingly innocent in their quality, these vocals serve as lovely juxtaposition to Scott’s fluid power. Such a nice coupling reminds me of the vocals of Torquil Campbell and Amy Millan of Stars. The title track, “Strange Figurines” is a good example of this—the vocals become the focal point at times, but are met halfway with a synth riff to combat them, giving this group balance.

My one and only real piece of criticism, while very small, is by the end of the album, if you’re not in the mood to groove, some of the electronic aspects can wear you down a bit. The result may be that your favorite tracks come from the beginning of Strange Figurines at first, but after repeated listening the latter tunes make their way into your listening queue. Enjoy these locals  and the lovely album they’ve brought to you.

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