New Music From Yourself & The Air

Our amigos over at the MOKB just premiered this new tune called “Sick Days” by Chicago based band Yourself & The Air that’s struck a chord with me.  The song will appear on a brand new EP from the band entitled Who’s Who in the Zoo due out May 24th on Lujo Records.  Sometimes these guys come across as sort of a post-emo pop band and then throw you for a loop and give you some contemplative prog rock to really make you think.  Oh and they were animal masks, which lord knows we ATH kids LOVE.

[audio: https://austintownhall.com/wp-content/uploads/2011/04/yata_sickdays.mp3]

Download: Yourself & The Air – Sick Days [MP3]

New Track from Priory

Yesterday was a long day for me, just dancing about in my chair.  But, today I think I’ve become refocused after discovering Portland band Priory.  At first, I thought I had stumbled upon this great bit of forestry folk, you know, the softer type that takes you to the woods.  Then, a bit of a bounce was introduced in the middle of this track, which, while welcome, completely caught me off guard. It’s nice to find a little blend between true folk and street pop, so it’s easy to say that I got hooked on this track from minute one.  You’ll be able to find this song, as well as ten others the group has been working on for their self-titled, Priory, record.  It will be out on June 21st on Expunged Records, so get into it before you’re too late.

[audio: https://austintownhall.com/wp-content/uploads/2011/04/02-Kings-of-Troy.mp3]

Download: Priory – Kings of Troy [MP3]

Austin Psych Fest @ Seaholm (4/29-5/1)

Date 4/29-5/1
Location Seaholm Power Plant
Doors 900p
Tickets $100 Weekend pass/$40 day pass

As many of you well know, this weekend is the ever growing new festival known as Psych Fest put on by some great local companies and bands.  This year’s event has expanded into a weekend long expedenture with an impressive lineup of local and national touring acts.  Bands that stand out to me that I know are great live include Beach Fossils, Atlas Sound, No Joy, This Will Destroy You, Fresh and Onlys, Bass Drum of Death, Black Moth Super Rainbow, Black Angels, and Rocky Erickson to name a few… The huge list of all bands playing during the weekend can be seen on the Psych Fest websiteA few tickets appear to still be available for the weekend so saddle up for a great weekend of music at Seaholm!  Also stay tuned this week for some previews of bands you can check out during the festival.

[audio: https://austintownhall.com/wp-content/uploads/2009/03/the_black_angels_-_young_men_dead.mp3]

Download: The Black Angels – Young Men Dead [MP3]

An Horse – Walls

Rating: ★★★☆☆

Hailing from Australia, An Horse consists of Damon Cox and Kate Cooper who give off the impression of more than a two-part band. Two-part they are, and on this sophomore effort they don’t reach much further than that of Rearrange Beds, but as a fan of this band, I don’t see how this is any negative qualm. If anything, Walls has a more mature sound, while holding on to that edge-y pop sound that made them stand out in the first place.

The first song, “Dressed Sharply,” begins this album out with the edge and twang that this band is based around. Hard edged guitar floods the song with the bitterness, and combines with the lead vocals of Cooper, that is only juxtaposed slightly with faint oohs in the background. It gets you started on quite the raw note, but then “Not Mine” follows, slowing things down and changing the sound to somber instead of sharp. It is here that you can feel overtones of recent events in Cooper’s life in her lyrics. Her songwriting reflects her struggles of being on tour while a family member was ill back at home. While it must have been a painful time in her life, the writing feels intricate and mature; probably some of her best.

Some more standout tracks can be found on the title track as well as on “100 Whales.” “Walls” softens up things a little, but the Australian drawl doesn’t let it turn into mushy fest, while “100 Whales” waivers somewhere in the middle of outlandish and minimal, becoming one of the most balanced and even-headed tracks on the whole album.

Up to this point, there isn’t a bad song on Walls; each has been interesting and enjoyable. That being said, the last three songs of the album just dissipate. Something that started out fairly strong withers to a sadly boring end. It feels like this band just gave up and in light of this, the rest of the album is flattened. What could have been something fantastic turns out as something just good. Instead of ending on a high note, An Horse doesn’t go anywhere with their songs that make up the listeners last impression.

Despite being left disappointed, it’s still safe to say that the majority of this album is enjoyable. Have a listen, but perhaps just skip the last bit.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/an-horse-trains-and-tracks.mp3]

Download: An Horse – Trains and Tracks [MP3]

New Music From Villas

Austin based band Villas just sent us a new song they are releasing soon as an online single.  The track is called “Spyglass” and features a sort of post-punk type sound that seems to be a lacking a bit in the Austin seen right now.  It’s a song built around a simple power chord chorus that has me singing along with fist pumping in the air.  You can also check out a live set from these guys on Friday at Ghost Room with Phonolux from San Antonio.

[audio: https://austintownhall.com/wp-content/uploads/2011/04/01_Spyglass.mp3]

Download: Villas – Spyglass [MP3]

New Hit from Neighbors

Just when I swore to the world that I was going to swear off dance-y music, I come across this new number from Neighbors, which is the preview to their upcoming August EP, which the band will release for free on May 24th.  Sure, those beats just hang there momentarily, but the vocal resemblance to Matt of The National is what really sucked me in, as I’m a sucker for baritone/bass voices when recorded.  I suppose there are other things to hate in the world, such as all the kids filming their favorite song during a concert (I’d like to see the band, not your camera), so I’ll hop back on the electronic touch here for a bit, as long as it sounds this good.

[audio:https://austintownhall.com/wp-content/uploads/2011/04/Watergun.mp3]

Download: Neighbors – Watergun [MP3]

New Music From Matt Pond PA

Yesterday we received word of a new EP entitled Spring Fools by old time ATH favorite band Matt Pond PA.  The short player is due out April 26th on Altitude Records and features this new jam “Love to Get Used”.  I gotta say, this band has really lost some of their initial appeal to me over the last few years, but this track redeems them a bit with a nice little pop tune.  The new track also features guest vocals from Austin’s very own upstart singer-songwriter Ariel Abshire.  Keep it up PA, keep it up.

[audio: https://austintownhall.com/wp-content/uploads/2011/04/MPPA-01_Love_To_Get_Used.mp3]

Download: Matt Pond PA – Love to get Used [MP3]

Explosions in the Sky – Take Care Take Care Take Care

Rating: ★★★★☆

In the days of computers for instruments, and a heavy weight on the vocals of a band, be it gang or solo, where do Explosions In The Sky fit in? Filling neither of these two aspects, they rely solely on the strength of their instruments to weave their listeners into an intricate web of simplistic, stripped down instruments. Known as Post-Rock, this genre of music allows for the music to be left up to your utilization: background music, inspiration for creativity, or something to contemplate.

For a merely six-song album, Explosions In The Sky do not fall short in the field of time for a full-length album. Instead, each song is long and sprawling, providing those crescendos and an abundance of catharsis that this band is famous for doling out. Take the first song, “Last Known Surroundings,” for example. Over the course of almost eight and a half minutes, you are taken to a variety of places by the changing rhythmic cycles of the instrumentation. Squalling, yet controlled guitars dominate the foreground of the song, while explosive drums kick in the background, leaving with the simplistic elegance that any song that this band produces contains.

While one might think that the long songs on this album would make each one stick out from each other as its own work of finesse, the contrary of this is true. Much like the chapters of a good book, each is brilliant, and they weave together to form a collective brilliance as an album. The sound fluctuates from loud to soft, and then back to loud again, giving those rolling hills of depth that are able to be filled with whatever strikes your fancy. Such depth allows for catharsis after catharsis and build after build without tire.

As I said before, one of the best qualities to this band is that they leave it up to you instead of forcing it down your throat. They pick the best possible times to grab your attention. So even if you are using their delightfully serene music as the filler of space while you work or think, they still have the ability to command your attention back to the music so that it can be commended as excellent craft. This is all you can ask from Explosions In The Sky.

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