A Place to Bury Strangers Announce See Through You

Today A Place to Bury Strangers officially announce their 6th studio album, and while that seems like that’s been a long time coming, the band still sound really fresh on their latest single, if not in peak form. Heavily distorted sounds ring out from the get-go, setting an ominous industrial vibe, waiting for Oliver Ackerman to enter the fray as he haunts the song with dropped tone vocals. Thematically, the song is set to tell the story of two lovers who are lost in a city that doesn’t know their name, finding solace in their relationship. Interesting narration, but spot on for the current climate. Be sure to wait until the 2 minute mark when the song opens up and just gets a little sonically deranged, which no one does quite as well as APtBS. Their new album See Through You will hit on February 4th via Dedstrange.

Partner Look Announce Debut LP

We first brought you news of Partner Look last April, when the band dropped a quick 7″ after forming as kind of a spur of the moment projects between the Hasnain sisters and their partners, Lachlan Denton and Dainis Lacey. This is one of the unique things about the Melbourne scene right now, with friends trading places all over to create exciting new projects. Today, the band announce their debut self-titled LP, dropping via Trouble in Mind/Osborne Again/Spunk in February. Lachlan (of Pop Filter/LD + ER/Ocean Party) gets the lead on the vocals here, and his voice always has this familiarity and spirited vibrance; it adds to the bouncing rhythm section helmed by his drum work. There’s a little bit of twang in the guitars, sort of taking a kind of psychedelic folk boogie to the track that reaches its climax in the chorus when everyone joins in for a singalong. Try this one on for size.

Snowy Shares Two New Songs + Announces New Album

Snowy already released what I believe to be one of his best albums, Alternate Endings (please smuggle a box overseas!), but it seems he’s not resting, as he’s just announced Bell City. According to him, the album is made up of a bunch of tunes he wrote in May, then set aside, only to revisit them later, adding details where necessary or just leaving things be as they were. We’ve got a couple of those songs below, mostly just because I love Snowy’s work and want to encourage you to spend some time with his work. This is just a sample of the 17 songs slated to be on the release, dropping this Friday!

Reptaliens Announce Multiverse LP

When Captured Tracks drop a new song or album, I’m usually in for a good listen (though I still blame them for the 30 emails a day I get from suburban white kids who “sound like Mac Demarco!”), especially when it has to do with Reptaliens. I remember listening to FM-2030 several years back and wondering where all the hype was for this group, but so it goes right? Well, their first single from the forthcoming was built from nostalgia, but in the songwriting process and the video from Tristan Scott-Behrends; the video employs all sorts of nostalgic nods that any kid growing up in the 80s/90s would surely catch. Musically, I like the subtle pop groups the band bring to the table, as they’ve always done. In a way, it has this sort of lounge-y feel, though with the psychedelic notes, I’m sure you’re envisioning one of those drug-fueled parties with go-go dancers and flickering lightwork coating the walls. Wherever my brain is, I’m enjoying the new tune from the band…and looking forward to Multiverse, which drops on January 21st.

Dayflower Share Sonic Single

Leicester’s Dayflower just dropped this shredding bit of noisy pop music, so it wouldn’t feel right not to share it with you here. The song rushes in with this pounding rhythm and a thick cloud of distorted noise ripping through your speakers. But, the clouds part, revealing that thumping bass line and some melodic vocals that wrap themselves round the angular guitar notes of the verses. It all crashes into this explosive chorus that combines the melody with maddening noise, disorienting and calming. This feels like this is where you should start your day, journeying with new Monday jams! Let’s hope there’s more where this came from!

Last Week’s Jams, Today (11.8 – 11.12)

We’re here with your weekly addition of Last Week’s Jams, with a slight little spin on things this week. For starters, there were certainly some jams on our pages, so we hope you’ll revisit…may I recommend the Crabber record again? Plus, you’ve got the new hits from Slumberland Records (who had a killer week in our eyes). And, in the end, I threw in a couple of tracks from shows we were able to see last week, or the week before, just as a reminder for us when we listen to our own playlists! Listen to some songs, and have a really great week friends!

Poison City Records Announce A Collection of Songs from Palm Springs

Whoa whoa whoa! Don’t get confused…we’re not talking about Palm Springs, California, but rather the songwriting project of Melbourne’s Erica Dunn, who also plays in Mod Con and Tropical Fuck Storm. Poison City Records just announced they’ll be releasing A Collection of Songs, which compiles out of stock 7″ and early tape releases that are probably pretty hard to find over here in the States. Just wanted to give you all a little sample of Dunn’s work, and by jumping into this introduction maybe entice you to go back and listen to her work. I chose this single as it’s got this striking bravado balanced with Erica’s powerful vocals, so it comes off as brave and angelic, ultimately just striking the listener in the face! A Collection of Songs will be out on December 10th.

Vern Matz Share Tokyo Sounds

Feeling fragile on Friday, so what better way to immerse myself in like-minded music, such as the new single from Vern Matz. This is the sort of intimate songwriting I adore, where the strums echo like they’re hanging out in the next room and the vocals seem to strain with every drop of emotion left out there. For some reason, this feels like one of those songs that never let you escape, offering you this precious experience that’s likely to crumble to sand once you hit the song’s end. Feel free to play it until your feelings float off far away, and then wait with me as there’s a new Vern Matz tune on the horizon!

Parrot Dream Share Final Single of 2021, The End

I’ve really enjoyed the work Parrot Dream have put into things over the last few singles, and all the way back to their last major release, and it seems they aim to end the 2021 year with one final gem to seduce you into their world. “The End” actually begins opening up on this cavernous emptiness, punctuated by a sampled drum and a thumping pulse. Little notes dance across the horizon, careful not to interfere with the rhythmic nature of the song itself. This is where Christina Appel lets her voice shimmer, calling to the listener like a siren, beckoning. A careful ear will hear the pulse speed up at times, and the cavern is filled with various notes that seem destined to intoxicate. And then its all wrapped up, because ultimately, we’ve come to “The End.”

Robert Sotelo Shares The Currency Is Love Video

We’ve been hyping up Celebrant, the new record from Robert Sotelo that’s dropping in your lap tomorrow, but we’ve got one final jam before you get to hear it in its entirety. “The Currency is Love” deals with the theme of pushing on despite the world around us crumbling, which seems a fit final single for the UN Climate Change Conference wrapping up. Musically, the song’s built around these synthetic pulses and beats, at times emphatically sharpening Sotelo’s voice, and other times just kicking in a bounce to keep you on board, like the heavier loop dropping in after the two minute mark. Personally, I love how things don’t feel overly sterile and cold, with Robert doing his best to hang some melody out there with his vocals. So, let’s follow suit because like the song says “the currency is love,” and I love this record so grab Celebrant tomorrow from Upset the Rhythm.

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