I’ve really enjoyed what I’ve heard thus far from the forthcoming Up on High, the new LP from Vetiver. It still has this folk appeal, though there’s this underlying energy in the songs that sort of pull at my power-pop taste buds. Am I going to go pogoing down the hall? No. But, I’ve got this tune on repeat and my toes are tapping consistently, my fingers typing with the song’s natural rhythm as we speak. But, there’s also this great swath of warmth that comes from the harmonic nature in the vocal melodies, like the sweet whisper of promise hanging on the wind. You’re really going to want to hear this one. Look for their new LP via Mama Bird on November 1st.
As we ease into the weekend I am needing a bit of an upbeat tick in my music to prepare myself for fun, heat, and football. Funny enough, my Canadian friends from Montreal in Corridor have provided a perfect summer weekend track with their new one “Domino”. Regardless of if you can comprehend the French lyrics, you have to admit that this song is super easy to fall into with those jangly guitars and expertly crafted drum/bass pieces. Enjoy.
Corridor will release new album Junior on October 18th via Sub Pop Records.
I’m not sure how we let these things happen, but it seems we have never shared any of the stellar music created by Philadelphia based band The Menzingers. I think some of it is due to other sites beating us to the new tunes, or maybe we are just not as with it as we used to be. Either way, today we remedy the situation by loading heaps of praise on this banging new track from the band called “Strangers Forever”. For me, it’s kind of like the expertly crafted post-punk/emo songs crafted by bands like Jimmy Eat World with grittier vocals like Laura Jane Grace. It’s a nice evolution and updated sound a genre devoid of bands doing anything new. Personally, I love this stuff.
The Menzingers will release new album Hello Exile via Epitaph on October 4th.
First, this is Video out of the East Bay in Cali, not to be confused with the Austin band of the same name. Secondly, this band still rules, if not more so, but that’s just one man’s opinion. While they’re wrapping up their debut LP, they tossed up this really catchy number that takes on the class disparity in San Francisco; it’s super relatable for someone who has lived in Austin most of his life and can definitely see some similarities. Musically, there’s this insatiable bounce with these fuzzy pop guitars jangling up in the forefront; the vocals have this stylish indifference that feels just like the fog rolling in from the bag, wrapping up us in our favorite shade of cool. One song in, and I’m pretty sold on Video already. What say you?
I hate to say I love BDRMM as the group are just making a name for themselves by signing to Sonic Cathedral…but dammit, I love the hell out of this song. It teases you, acting like an instrumental, but don’t mind that, you’ll get your lyrics. I love the natural bounce of the song, slowly adding layer upon layer…guitars, atmospherics, percussion, bass…then another guitar comes noodling its way in, tossing its jangling post-punk vibes all over the place. If you want, skip to the 1 minute mark, wait about 20 seconds, and you’ll still get that emotional musical release we’re all seeking; a blast of shoegaze opens the curtains to a fairly empty stage that reveals the matter-of-fact vocal delivery set to the front of the mix while guitars dance about in the distance. Dammit. This band fucks. Look for their If Not, When? EP on October 11th.
Listener beware! It’s hard not to get entranced by the sonic pulse of this music accompanied with this incredible video just released by TLA. The group is the project of various members of acts like The Shins and The Pleased, which were two acts I was very much in love with during their prime…but this is something wholly different. Visuals aside (though they’re stunning), this feels like what Billy Corgan was after on Adore, only with better execution. I feel like the vocal melodies get tied perfectly into the beats (I’m all about the choruses), adding this great textural feel that’s gives off this psychedelic rave quality that I’m really drawn towards here. The group will release New Language on November 1st via Dowd Records.
Please. Put down everything you’re doing. Be free for the next 3 minutes. This brand new track from the songwriting team of Lachlan Denton (Ocean Party) and Emma Russack is possibly the greatest pop song you’ll here today. Lach opens the track with a muted guitar strum worked over strong piano lines and minimal percussion, allowing his voice to really drive the tune forward. If you’re a doubter, wait until the 1:18 mark where the song gains Emma’s voice, a stronger percussive element and a powerful pop hook that finishes the song off in an emphatic fashion. The new record, Take the Reigns, will be out on October 18th via Bobo Integral and Osborne Again.
It’s Tuesday afternoon, and for some reason I am finding myself in a bit of chill, relaxed mood. Helping my lunch time, laid back feelings is this new song called “Not There” from NYC based Sandy. It’s a synth heavy song falling into the electronic pop or bedroom electronica genre, but with a much more interesting beat than others in the genre. I also love the hushed vocals from Samantha Pathe as they intertwine beautifully with the catchy beats.
Lookout for the debut release from Sandy, entitled Trances, due out on October 25th via Geographic North.
When I think of Shana Falana, I tend to think of a thoughtful songwriter who generally crafts these strikingly dreamy numbers that ooze pure passion, especially in the live setting. That said, this brand new single from the forthcoming Darkest Light might take some listeners aback, but only for a moment. Sure, the vocal performance takes on this almost angelic tone, but there’s this turmoil lurking in the track. Take for instance, the absence of drums, it leaves this cavernous void that can only be filled with by voice and the careful playing of guitar notes; it gets some depth with layered strings far off in the mix. It’s striking to see the balance and composure the execute such a song, which leads me to believe this is a project at the top of its game. I look forward to Darkest Light; its out on October 25th via Arrowhawk Records.
Some labels just get on a roll and top hit after hit, and this is very much the year of Fire Talk; today they announce the debut release of Fran, the musical project of Maria Jacobson. This first single is a doozy, bringing in this heavy riffs balanced out by the playfulness of the chorus, though the song’s subject matter might lean closer to the heavier moments; the video definitely attacks the realm of the “boys only” clubs, and deservingly so. Musically it reminds me a lot of Aldous Harding or Cate Le Bon in the way the song’s structured, building and then taking twists and turns that illustrate the power of voice and artistic flare that keeps listeners coming back for the experience. A Private Picture will drop on November 15th.