I guess the theme for today’s tracks is lush and dreamy, and it’s safe to say I’m not complaining a bit. This one, from Living Hour, who hail from Winnipeg, is a lovely slice of shoe gaze magic. Group vocals make this one shine bright, while the sleepy guitars and slow-mo percussion let the track ooze out. The honeyed sound feels kind of sunlight reflecting on water, or at least that’s all I can think about as I watch this video from the group. Take a listen and let yourself zone out for a few minutes. It’s Friday, you deserve it.
San Diego’s Los Shadows have one thing that the rest of the dream pop acts…a sound rooted in Latin rhythms. The opening guitar lines sound like an homage to the beach, but immediately the drums roll in crafting this vibe that’s unlike anything out there. They move it into these smoothed out dreamy croons that crest atop the front of the mix; it ends up giving the song this natural swinging sensation that I cannot escape…nor do I want to. There’s a funky closing minute that definitely brings the Latin vibe full circle. While this single is brand new, you can check in on the group’s other work HERE.
You ever hear a song and it just feels like it belongs in a really well shot film? Like everything about it screams montage? That’s the feeling I got the first time I pressed play on this gem from Tiny Ruins. The New Zealand group is well on their way to releasing their upcoming third LP, Olympic Girls, and “School of Design” is their latest lush single. I think the cinematic feel comes Hollie Fullbrook’s velvet vocals and detailed storytelling. Apparently the track was recorded live–which makes this track even more haunting, as it feels so very polished and perfect. Take a listen for yourself below.
David Lance Callahan has been part of the music community as long as I’ve been alive (30+ years); he’s been part of both The Wolfhounds and Moonshake, but we’re getting to here him below entirely on his own. He’s crafted this delicate, pastoral tune, perfect to take us all into the Winter seasons,offering warmth for those close listeners. Callahan recorded these tunes at home, simply, utilizing little more than guitar and a sampler, with a few friends thrown in to provide the harmonies; the technique definitely provides the listener a certain intimacy that brings you into the world of the songwriter. You’ll find this track as an A-side tune for the SLR30 Single Series, and odds are you’ll find a new album in the works for 2019 as well. Don’t worry if you didn’t sign up for the SLR30SS, as Slumberland generally has a few extras on hand.
Yes. They are available. Already. At present, you can get the collectible version of a three-day GA at the same price as a wristband only. Also, there appears to be a new wristband tagged as GA+ for those that do not want to drop full coin for a VIP wristband just to get a bottle of water or hide from the sun.
Click here for the details and pricing.
The driving rhythm and the angular guitars, as always, sucked me right into this track from Primitive Lips. It has this heavy vocal quality, almost a resigned indifference, which works in direct contrast to the song’s natural uplifting spirit. It’s almost like the band fancy themselves as the reincarnated Echo and the Bunnymen, only they want to throw a dance party first. You’re stomping your feet, you’re swinging around, but you’re not biting your bottom lip, you’re just staring longingly at the floor. A pretty carefree hit in my opinion; it could use your ears.
The Cosmos are a now defunct rock n’ roll outfit from San Fran, featuring members that went on to participate in bands like Terry Malts and Dominant Legs, among others. Not too long ago they compiled their songs from the 2001-2004 years, and gave them a proper tape release. Why does that matter today? Well, for one, if you listen, you’ll see they were ahead of their time, as I can hear tons of modern acts in the stuff they were creating. Also, the band just decided to up and let you download that compilation of songs for absolutely free, though I warn you, these are working musicians and they all deserve a few bucks from you. Slow news week, so why not write about shit that rules?
There are a handful of artists that craft these really beautiful soundscapes that are infused with energy and airy vocals; they build the sort of world we all want to live inside. Lately I can look at Peel Dream Magazine who might be looking at Stereolab…and now we’ve got Marble Arch. They’re doing something similar, even adding a bit of that ringing jangle guitar to the front of the mix before washing over it with synths and precision drum work. The vocals are submerged in the mix, faintly audible, utilized for both lyrical intent as well as an added instrument. The Parisian outfit are really something to be on the lookout for; keep your eyes out for Children of the Slump early next year via Geographie.
While I’ve spent a lot of time jamming the latest Papercuts records, this new tune from Shadowgraphs is trying to align itself with a similar vibe. There are definitely still some light psychedelic references, particularly in some of the layered guitar parts. But, scrub that a little bit, and beneath the surface is this huge pop sensibility, bursting dreamily through your speakers. A slight bit of fuzz gives the sound this heaviness, which really allows for the vocals to sort of float off into the ether. The band are releasing Another Time on November 30th via Golden Brown.
Oh man, do I love a good quiet melancholic bedroom pop track. Maybe it’s the cold snap we’ve had here in Austin that draws me in so deeply to “Tomb,” but most likely it’s the fact that Angelo De Augustine just knows how to craft a solid tune. While I’ve been a longtime fan, he’s made a big wave in the indie rock world as of late for sharing a live version of his tune, “Time” with Sufjan Stevens’ help on piano. That’s a gorgeous tune, but it seems like he’s really outdone himself with this video for “Tomb,” as you can peek below. Augustine has these impossibly beautiful vocals that float in with a falsetto whisper. Couple that with brilliant songwriting (“You’ve been living your life from the outside / like a stranger inside of your own mind”) and you get the devastating, Elliott-Smith reminiscent, “Tomb.” Safe to say I’m very excited for the full-length this track is taken from. Pre-orderTombbefore its January 18th release date on Asthmatic Kitty.