I have tons of emails where I’ve been super into stuff, but just haven’t quite gotten to them, and as there seems to be a general lull this week, I’ve started digging deep into some of those emails, which is where I revisited the latest from Folklore. For me, the band take some sounds from the likes of Neutral Milk Hotel and Arcade Fire; they are offering up this pleasant folk pop, but obscured by a willingness to toy with structure. Take the opener from The Curse, “A-Frame Kitchen,” which revolves heavily on a strum and vocals for the song’s first minute, then it sort of erupts, like your speakers got blown, but those sounds don’t bother you as they tie it all together. “The Curse” is a definite hit, sort of harkening back to that Elephant 6 sound, though I’ll admit I’m a bit basic today, and falling for “Hazy Summer.” Give the whole thing a listen if you like, and throw the band a few bucks, as its NYP!
After the death of his partner, Clarke Sondermann sat down to write new music under the Pleasure Systems moniker; he ended up writing 40 demos, 12 of which were hand picked by Orchid Tapes to make up Visiting the Well. Today the album hits the streets, and while there’s definitely raw emotion packed into every inch, it’s the detail to each track that’s really stuck with me. For instance, “When Your Beard Fell Out” begins with this intimate strumming, sounding like traditional singer-songwriter fare. But, keyboard notes begin to overlap with the chords, layering texture that gives the song this full lifeblood. Each track has these delicate brushstrokes, used to bridge the gap between the intimate nature of Sondermann’s songwriting and the listener; Clarke gives us his most personal self, and ultimately we are gifted a shared solace. You’ll definitely get all the feels listening to this LP. Grab it HERE.
I’m a huge fan of the Lodger, and why they’ve been away for a good amount of time, their return with Cul-De-Sac of Love was a great news. It drops today, and my copy is apparently on its way to my home, so I haven’t spent as much time with it as I plan. My first runs through the whole LP show the band toying with various approaches to their craft, but with Ben Sidell’s voice still remaining the core of their appeal. Honestly, it reminds me of the likely follow up to Flashbacks, employing those catchy guitar chops while still offering up a really subtle approach to pop vibes. I’ve really been drawn towards “Perfect Fit” on these morning run-throughs, but go on and pick your fave…there are plenty of great tracks to choose from here. It’s available all over the world right now!
The last few months, I’ve personally been hyping the new LP from Finland’s Black Twig, Was Not Looking for Magic. Below…I give you an early stream, as well as my track by track breakdown. If you’re interested in picking up the album, it’s out this Friday via our friends over at Soliti, and I promise you, its got my stamp of approval! Leaving the stream at the top as that’s what’s most important, but my track by track breakdown lives below!
My love affair with Neil Brogan has stretched back over 10 years, first with Girls Names, then Sea Pinks…but this is the first time Neil’s really stepped out with an album under his own name. These 11 songs are still filled with his pop sensibility, as you’ll get almost immediately with the steady bop of “20/20.” You’ll notice the whole album seems to be written from the perspective of someone holed up indoors during this shit year; you get the isolation, but you also get reflections and songs about busying yourself to keep your mind occupied; we’re all going to find this listen highly relatable. There’s not a bad song in this bunch, but at the moment, I’m really stuck on “Belisha Beacons,” the most charming tune this morning.
Early on in 2020, I had expectations that Half Dream would really take Austin by storm with their Monster of Needing EP. I was fortunate enough to get an early taste of the EP, but like so many folks out there, this pandemic derailed releases plans and created a few barriers the band would have to overcome. Luckily, today is the day you can all hear the EP in its entirety, and if you’ll hang out for a second, I’ll break it down track by track for ya!
This is one of those weird weeks in Austin when it seems like everyone we love decided to drop some musical knowledge on us today. We’ve got some standard players like Stiletto Feels and the Zoltars dropping brand new records, plus a return to the fray for JP Pfertner, formerly of Built by Snow, and his new project Velcrowolf. Click on down to hear some fresh new tunes!
About a year ago we first caught wind of Gothenburg’s Fort Not with their hit single “I Guess;” they’ve been teasing us with a full LP for the better part of this year. Tomorrow, however, The Club is Open will officially be birthed into the world, but we’ve got a preview of the album courtesy of our friends over at Meritorio Records (who are releasing it!). If you skip ahead, you can catch my track by track breakdown of the entire LP; all 13 tracks! Of course, you can also just grab a copy for yourself right HERE!
Good things come to those who wait, and we’ve been waiting almost a decade for Exploding Flowers to return with the follow-up to their self-titled debut. “A Daunting Thought” hits you immediately, dropping in this charm that’s part nostalgic California sunpop and part dreamy psychedelia. I love moving on to the ramshackle ditty “Far, But Never Gone,” which would fit along with some of my favorite power-pop hits of the year thus far…and that only gets us to the third track. Other stand outs on a personal note would be “Mirror Mirror, Face to Face” and “My Poor Heart,” but to be completely fair, this might be one of the most complete pop releases I’ve heard this year…every song’s a winner. Seriously, if you have any pop tendeines, be they dream, psych, jangle, power, what have you…you will instantly fall in love here. Stumbling Blocks is out via the Beautiful Music on August 11th, but stream it all below.
I’m having to circle back on this new album from the Crystal Furs, as it slipped by my coverage when it initially dropped a few weeks ago. We were big supporters of the band when they were one of the few indiepop gems of Texas, and that’s not changing now that they’ve upped and moved off to Portland. Their new album Beautiful and True actually feels more like a nostalgic indiepop record, which for me is my favorite of the genre. You’re going to get these brimming melodies throughout each track, with the rhythm section tossing out this haphazard bounce while guitars churn those sharp jangles in your ears. I think my favorite standouts are “Hey Maxine,” “The Robber Barons of Lombard Street” and “Pretty Mind,” but we encourage you to get in on your own favorites. The LP was released in limited numbers via Subjangle, but is still available digitally.