There aren’t too many choices for checking out shows after a long weekend, so tonight do yourself a favor and head out to Mohawk for Mild High Club. The eclectic band recently released Skiptracing, which we ran a review of last week, HERE. They specialize in modern psychedelic vibes, pushing the envelope a bit more than most of their peers. And, by attending, you get to catch your dose of great local acts as well, with Tamarron and Rotten Mangos taking the stage as openers. It’s a highly anticipated show, but tickets will still be available at the door. Start this short week off right folks!
Nathan summed it up in a book face post. He, with Mike’s help, runs a label that is proud of the content, proud of the people, happy to be helping bands in Austin have merch to sell and fund the next project. It is a ton of work; pursuing, promoting, logistics and coordination. I am happy to be associated with ATH records.
Hit the read more and view the greatness of Pollen Rx, Mean Jolene, Rose Selavy, Plantation Band, Young Girls, Basketball Shorts, Summer Salt and Shivery Shakes (in drag).
So, there are risks in going to shows of bands that you loved from twenty years ago, hell even ten years ago. The Fixx was booked at 3TEN, probably the ideal venue for shows like this. It is a band that will draw a crowd of nostalgia seekers and the younger audience that made the discovery. I mean, Reach the Beach was among the first CDs I bought after getting my first player. It was important to me and I will put that record up against any of the current crop of nostalgia-driven indie prominent right now. The rack of keyboards, the front man with a specifically strong vocal and the mix of guitar and synth to build the layers – it is all there for you to love and rediscover.
We had a little extra dose of semi-local nostalgia in Deep Blue Something. You know who they are…
Read on for thoughts and pics.
As of right now, there’s a very very top secret guest headlining this event at Beerland Saturday night. We’ve been told it’ll either have all of Austin running to the venue…or you’ll just say “I don’t know who that is.” But…guests aside…the line-up of openers is remarkable enough to get you out on Saturday night. Jerry DeCicca(of the Black Swans) will set the mood for you early on, opening the night shortly after doors at 9 PM. Then you’ve got the powerhouse noisemakers from Burnt Skull, who always remind me that I need to go back and revisit Sewer Birth, their album from 12XU. Then of course, you get one of Austin’s most underrated, Knife in the Water…who have great news themselves…with an album on the way, and a reissue on vinyl too. All in all, even if you don’t know the headliner…don’t you wanna end up at Beerland? Stay tuned on twitter and Facebook for news of this very special guest!
Tickets for the show will be a measly $5 at the door!
Seems like a no brainer to me. It’s Wednesday, you’ve been locked in the house hiding from rising water, but the skies look to give us a break tonight, which means, you should grab your friends and go out. So why not enjoy the show over at Hotel Vegas that includes perennial Austin powerhouse, John Wesley Coleman. He’s the songwriter everyone loves, and he’s the one you deserve. Plus, our own Plantation Band will be opening the set, offering up their dark take on country vibes. And, to top it off, you get a nice little bit of non-local music via Vancouver’s Ballantynes. Go out tonight, go to this show.
Covering all the shows in this town is trying sometimes, so we sent our good friend Phil Baier, of Summer Salt, out to cover US Weekly and Parquet Courts at Mohawk last night. Here’s what he had to say.
“It’s muggy as fuck,” said Ryan Fitzgibbon, guitar player of Us Weekly.
“It’s kind of the perfect weather for this,” said fan in the crowd.
Both were right. The steady rain complemented the dystopian drizzle of Us Weekly. They played discordant mid-tempo music with hardcore punk vocals, yelling lyrics like “set me on fire” and “American hate.” The packed crowd loved the dark forces behind the band, and happily nodded as the sun went down.
Right when Parquet Courts started, the rain picked up. Their perky chords quickly initiated wet crowd surfers, leading to the retreat of skittish old people (and Chaco wearing me).
Playing songs mostly off Human Performance, they sounded just as crisp as the record. Their guitar sound was as expected, D. Boon (The Minutemen) style with the treble all the way up, bass all the way down. Andrew Savage and Austin Brown’s signature voices kept the energy going, even in the “muggy as fuck” weather.
Brown and A. Savage’s stage banter was a sarcastic loathe towards Texas, targeting wall building, the death penalty, lack of Uber, sports, etc., but no one took it offensively.
The edgy vibe matched their trademark sound, noisy yet damn catchy. They thanked all their friends for coming, and didn’t play an encore.
My Life of Steel and Concrete is set to be released by Super Secret Records, so the only way to guarantee you get your hands on it early is to head out to The Museum of Human Achievement on Saturday night. Let me tell you, not only will you get to participate in being part of the unique atmosphere of MoHA, you’ll also get what we can expect is an incredibly unique performance from Quin Galavis. Lately, he’s played some shows with his band, while other times he’s played whilst having actors play the role of those in his songs. It should also be noted that this is possibly the most unique/diverse listen you’ll hear in Austin this year, or even if you’re outside of Austin. There’s heavier edged stuff, there’s beautiful atmospheric pieces and there’s the shanty-like tune featured below (just to leave a few genre marks). This is going to be something really special, so be sure to make your way out on Saturday night.
You’re all in luck this Friday…tons of shows going on around about town. One of the one’s I’ve got on my radar has OMNI on the bill, who released one of my favorite LPs this year, Deluxe. They’ve got a little bit of proto-punk, spun in their own fashion; I couldn’t find a bad song on the record. But, don’t just let that be reason alone to attend, as two opener’s will also be celebrating the release of their new LPs via 12XU Records: Manhunt and Meet Your Death. This is one of those shows where you show up early, get settled in, then walk out with a handful of great records and fond memories of good old rock n’ roll. See you there! Sample a few tracks below.
I’ve been anxiously awaiting this show for some time, knowing that the show we threw at SXSW with Fear of Men on the bill was just a slight tease…a musical appetizer if you will. They’ve recently released the stellar Fall Forever, building upon everything they exposed us to with Loom by adding extra layers and pushing those dreamy vocals. Pop fans have no other place to be but at Barracuda on Saturday night. The group will be joined by Puro Instinct and Typical Girls, so there’s even more reason to clamor for this evening. Grab tickets for $12 bucks right HERE.
We’ve had a great year at ATH Records, and we’re not looking to slow down. We’re working on projects with Mean Jolene at the moment, and Pollen Rx! Hopefully those in Austin are taking note, and getting as excited as we are. Speaking of Pollen Rx, they’re about to head out on the road for two weeks, but they aim to kick it off with a blast of a show at Cheer Up Charlies tomorrow night. Not only are they a band to watch, but we’ve also got ATH Records alumni Shivery Shakes and Slack Capital vets, Que Pasa on the bill. Come hang out with us all.
Oh, and the below song will appear on the debut Pollen Rx LP, but in a different version…so keep an eye out for news.