SXSW Interview: Catholic Action

SXSW is meaningful time to all of us here at ATH. It allows us to now only see some great bands, but to also meet some truly amazing people from all over the globe. One of our dear SXSW buddies hails from Glasgow and originally turned us onto Catholic Action a few years ago at a showcase he helped put together. Today I am pleased to share this short interview from the band prior to their appearance in Austin next month. Hit it after the jump.

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SXSW Interview: GRLwood

Part of the fun in SXSW is discovering new bands both before and during the festival as you see where the wind takes you. For me, Kentucky based scream pop group GRLwood is one of those new bands and I’m already really digging what I’m hearing. From the small sampling of music I’ve listened to today, I can tell that this band must put on one hell of a live performance. Hit the jump to read their responses to our SXSW questions.

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Show Pics: Telefon Tel Aviv @ Barracuda (2/7)

Been a hectic week, I won’t get into it. Catching up on some impressions and images from last Friday when Telefon Tel Aviv played Barracuda. It didn’t quite sell out, but the interesting thing was the audience member per musician on stage ratio was almost maxed out. Steve Hauschildt brought the opening soundscape and I have some bonus coverage from a show going on at Cheer Up, finally caught Urban Heat Island Effect.

Click through to get a few thoughts on the performances and place eyes on the photo-candy.

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Show Review: Tool @ Erwin Center 1/21

It’s been said, when summer turns to winter in Austin, we put away our white T-shirts and get out our black ones. So it was appropriate for TOOL to come to the Frank Erwin Center in the month of January. Nobody had to change clothes they just had to show up. And show up they did. Thousands of black shirts and hoodies filled Austins nostalgic Drum, with the hopes of experiencing a “Great and Powerful” live performance. Hit the jump for more.

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A Night At Free Week 2020

Nathan went out Thursday, I went out Saturday. We both got a dose of ATH Records goodness.

For me, catching Big Bill for the last time in their current form was of paramount importance. Sure there were several other great lineups, but drummer Alan Lauer is leaving our fine city. His wife is, too, and she makes amazing cookies so they brought cookies and they were delicious. The jams flowed. It ended up being a packed, raucous set with local celebs, plenty of shenanigans like jumping jacks, praying to the Hotel IndiGod and a pit during “What do you want on your salad?”…

Along for the ride was Exercise, Borzoi, Blood and Son of Stan. I also said hi to some folks next door at Mohawk. Click through for the big gallery…

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ACL 2019: Sunday In Pictures

The humidity returned. Record high temperatures were recorded. There was nowhere to hide. It was hot. I guess we have to move the fest back another month?

Day three was pretty chill for me. Plenty of fun shooting to do, though. Going into the fest, Sunday was all about Idles. Instead, I experienced several gems hiding around that powerhouse performance. From mellow to nostalgic to charming, Sunday’s photos include Otis The Destroyer, Thomas Csorba, Faye Webster, Idles, Banks, Third Eye Blind, Kacey Musgraves and a shot of the biggest crowd ever for side stage performance. No, I did not shoot Lizzo as after I checked out TEB and Kacey, the crowd waiting for Lizzo was so huge that making it through before the pit closed was not looking possible without a jet pack. It was crazy.

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ACL 2019: Saturday In Pictures

Next. It was still hot. It was a dry heat, but who am I kidding. Electrolytes, it’s what plants crave.

As Billie Eilish fans sat in pools of sweat, I spent the day chasing the music. It was a good day. The dust started to rise and survival was the utmost priority,. Besides, we had Bayonne, Taylor Bennett, Superet, Men I Trust, Patrick Droney, Brittany Howard, Bones UK, Gary Clark Jr., James Blake and The Cure to keep us on task. No photos of GnR (sorry 19yo me), Metric (sorry RayRay or Eilish (sorry Nathan) due to artist restricted pits and rights grabs release (looking at you Emily). I made up for it with even moar Cure. See more via the Read More.

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