Stream Kukulkan, the New LP from Uay
I will always do my best to rep the Mexican band’s that get sent my way, and it’s an easy thing to do when you listen to Uay and their new album, Kukulkan. The simplest way to label the record would be to submerge the sound in the revival of psychedelia, and sure, those elements exist, but in the corners of the songs, that’s where they manage to really captivate and move beyond. For instance, you can almost feel the psychedelic turn to cumbia if you take on a song like “Inexplicable,” which seems to meld into something similar to the “chicha” sounds. You still get those classic numbers of fiery guitar sounds and mind-melting vibes on a track like “La Llorona,” though I’ve grown partial to album closer “Recado.” This tune sort of takes on a space trance, that eventually makes way for a sort of slow burning fire dance that wraps up Kukulkan. If you dig, and you should because its better than King Gizzard, grab the LP from Half Shell Records.

This can be filed under the pile of stuff I should have posted days ago, as I’m always going to be a huge supporter of local faves
Pushing forward and the SXSW emails are coming in fast and furiously. So, hopefully if you’re in the same boat, you’ll take a little time in your day to rest and and read about
I know there are tons of great releases spread out through 2023 already, but I’ve already got There’s No I In Spice World penciled into my Top Ten of the year, and it’s only the 3rd week of January. To be fair, I’d put it there on the back of my favorite tune “Mountain Pony 20” alone, which I’m pretty sure I’ve played nearly 1000 times already. The band manage to walk this line between weary pop and energetic jangling pop. “Useless Feeling” offers that more upbeat churn you’ve come to expect from the current crop of Aussie outfits; the chorus is sublime tossing the steady beat into this joyous dual-vocal euphoria. You’ll find more explorative tracks like “Snake Oil” or “What a Pity What a Shame,” but regardless, you’ve got to stick out ’til the end to play “Dying to Go” at least a handful of times with a smile on your face.
If you recall, we, along with other various label friends, helped get the debut 
New Zealand’s
I’ve spent the last few months encouraging you to spend some time with Switzerland’s